It's such a great thing to work with people and not have a plan.

The more people's money you take to do something, the more inputs you get.

Yes, I am complimented on my work in Kids in the Hall once or twice a week. Its a nice feeling.

I feel like I'm the most well-adjusted character on the show, even though I'm sure the other actors would tell you the same thing about their characters.

That's the other thing about working on movies, the commitment is years. That's one thing that's so frustrating about the process is that it goes on and on and on for years.

If you just want to be a writer, I don't care, for pitching, for writing dialogue, you should take an improvisation class. It's super important.

The first record I bought with my own money was Rio.

I'm always doing what I can to look for and just feel out funny things that are happening in the scene and improvise off of them.

People love that monkey torture.

If you're a studio writer, the funny better be on the page.

Writing studio movies is the best job in the world... it's awesome.

Don't look for the next opportunity. The one you have in hand is the opportunity.

To all to each a fair goodnight And pleasing dreams and slumbers light.

In a progressive country change is constant change is inevitable.

Mythology is a vast body of knowledge that has not been tapped.

We shouldn't be copying what we see. We should try to find our own sense of style, to believe in ourselves.

We who formerly hated and murdered one another now live together and share the same table. We pray for our enemies and try to win those who hate us.

Sensuality takes planning and work.

The book forces itself into my mind when I am lugging furniture, or pulling weeds.

You start at the stupid end of the book, and if you're lucky you finish at the smart end.

To protest in the name of morality against 'excesses' or 'abuses' is an error which hints on active complicity. There are no 'abuses' or 'excesses' here, simpily an all-pervasive system.