After this interview, I'm going to immigration to try to sort out my Green Card, just like any other normal person.

The business is all about gush and hype. You never have a bad meeting in L.A.

I used to look like a deer in headlights on the red carpet. You step out of the car and it's bedlam. Everyone's got crazy eyes.

I appreciate a slow-burn romance. In most movies, everyone is just tearing their clothes off in the first scene.

When you're in love, you're so happy that you want to tell people about it. But now I have to censor myself. You need to protect the happiness you have.

The more we mask ourselves, the freer we're able to be within ourselves.

I love ambiguity. People are that way. People are very hard to work out. No one is just strong or just fragile, or anything like that.

People quit on jobs. They quit on marriages. They quit on school. There's an immediacy of this day and age that doesn't lend itself to being committed to anything.

There is absolutely, 100 percent, a light at the end of the tunnel for anyone who stutters.

I've always been quite a spontaneous person, so I would lean more towards, if you feel it and you know its right, then do it.

Things happen in the way they usually should. I'm a pretty fatalistic person.

My mind may be sober, but my confidence is high!

When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.

Cigarette sales would drop to zero overnight if the warning said "CIGARETTES CONTAIN FAT.

You're Only the fairest when your fairest to yourself

To live, to err, to fall, to triumph, to recreate life out of life.

Pity the man who has a favorite restaurant, but not a favorite author.

When the players think you are strong and that you trust them, it helps them to have a good attitude.

I worked on Crash, the TV series, some Disney shows like Get Connected, Brain Surge & iCarly on Nickelodeon, but Make It Pop is my very first lead role in a series.

Four is a powerful figure in literature and physical form

In England we only make films about the working class or the aristocracy.