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The New York City Ballet is obviously speaking to a whole new generation and bringing it the same wonder and beauty that it brought previous generations
I know that doesn't sound very radical and webby of me to say that but I think the New York Times is important. I also think there's an occasional piece that will pop out.
I'd like to do Harvey again. I did it two years ago with Helen Hayes in New York. It was a joy. I was so glad to do it again because I never thought I did it right the first time.
I look at 'The New York Review of Books.' It's what it has been for 35 or 40 years, which is a highly sophisticated vehicle for anti-American self-hatred.
I had been doing plays in New York and on a whim we packed up and moved West, I started doing commercials and plays and guest star spots on TV and one thing led to another and I got Knots Landing.
And it was where I learned how to play tennis and eventually became captain of the tennis team at the school and was on the Junior Davis Cup in New York City.
My undergraduate education, at the City College in New York, was made possible only by the existence of that excellent free institution and the financial sacrifices of my parents.
I took a plane from New York City to Los Angeles for an audition. I met all the people. After that, I was told to have another audition, but I didn't want to go there again.
Every single day, we have hundreds, if not thousands of police officers protecting the lives of not just New Yorkers, but the millions who come to New York City to work and to vacation.
New York is to the nation what the white church spire is to the village - the visible symbol of aspiration and faith, the white plume saying the way is up!
And, he'd seen me in Panama, and he talked about maybe doing something in New York so I hooked it up when I came here and I recorded in 1969 my first album with Pete Rodriguez.
New York is a field of tireless and antagonistic interests undoubtedly fascinating but horribly unreal. Everybody is looking at everybody else a foolish crowd walking on mirrors.
My parents were worried about me, certainly when I became so deeply interested in music and people like the New York Dolls who, at the time, were very peculiar indeed.
No one saw the recession coming. The UK businesses were solid as a rock, but the issues we had were in Paris, New York and LA. For every pound we were making here we were losing two pounds abroad.
I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema.
Not even the most powerful organs of the press, including Time, Newsweek, and The New York Times, can discover a new artist or certify his work and make it stick. They can only bring you the scores.
I met Sable when she was 15 and I was 18. I sent her home to New York while we carried on the tour. When we got back the police were looking for her at the airport and everywhere!