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I read the book [My Life by Bill Clinton] completely. And I think it compares very favorably with Ulysses S. Grant's gold standard of presidential autobiographies.
When I do work, I feel the same sort of urgency as I ever did. If I didn't feel that, I don't think I would wish to be doing it. I wouldn't really see the point.
I am inclined to think that nothing could matter more than what people love. At any rate, I can think of no value that I would place higher. I would not want to live in a world without love.
This is a way for artists to communicate directly to their fans. If you think of an artist like Bruno Mars, he's using Spotify, creating playlists and listening to music through it.
Alas, we think of ourselves as unique entities-minds unlike any others-and thus we often reject the lessons that the emotional experience of others has to teach us.
I think pressure is a good thing and it's good to be able to feel it and use it and experience the feeling of it and especially if you can get past it.
I don't think of those things [from farting, to male on male affection, to crossdressing] as being taboo, I suppose, so it didn't strike me as, "Oh, I'm breaking boundaries and stuff..."
When I multiply numbers together, I see two shapes. The image starts to change and evolve, and a third shape emerges. That's the answer. It's mental imagery. It's like maths without having to think.
If you're a kid in Southern California, somebody - whether it's you or your parents - somebody throws your hat into the ring and I think everyone had a commercial or two.
I think me leaving Detroit shaped my style. Me leaving, going to New York, going to L.A. and seeing what they were doing there. I think that inspired me more than what people were doing back home.
I spent about a year and a half doing technical post work on 'The Fountain'. Although I do like the process, I think my favorite part of filmmaking is the actors.
When I was 10 I used to walk around shopping centres and go, "Oh, they've recognised me!" And I would think, "hold on, who am I? I'm nobody famous yet!" - Darren on 60 Minutes
And then it got even worse, I mean, a few people fell by the wayside within hours. Nick Lowe was in it for about 5 hours I think, he was expelled for going to bed.
I think musicians like me are drawn to those older desks, not just because they're legend and lore but also because they do something really specific that is hard to emulate or re-create digitally.
I'm aware of my audience in a way, and I do try to engage with them while I'm trying to go about my business of thinking. I believe they help me by providing a focus.