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You know, the only place in America where the millionaires and billionaires are predominantly liberal is here in Hollywood.
Tom Hanks is a huge superstar. And people tell me he's a very nice guy, not arrogant, not an entitlement guy. But very quietly, Mr. Hanks has become a left-wing power player in Hollywood.
Hanks' ideology first came into our zone shortly after 9/11, when he criticized me for asking Hollywood telethon stars to become more aggressive in getting the money to 9/11 families.
I loved the independent spirit of the whole experience, instead of doing a big Hollywood picture, or something like that where I would have felt more out of place.
I would never put on 20 kilos and mess up my system because a role demands it. Hindi cinema doesn't offer you roles that get you an Oscar, anyway. Tom Hanks can do it in Hollywood; not us.
At the Academy Award Dinners all the actors and actresses in Hollywood gather around to see what someone else thinks about their acting besides their press agents.
When you work as actors in this business, you spend a lot of time apart. That's why a lot of marriages fail. It's not because of Hollywood, it's because you don't spend time together.
It's a true testament to say that there are no small roles in Hollywood. People say, "Oh, I just said one line." or "I was walking in the background." Don't deny humble beginnings.
Hollywood is a symbol of global movies, it's not just American movies. It's become a platform and a melting pot; it's for all the talents and capital from all over the globe.
I personally think that Hollywood agencies ought to play a much better role in the development of Chinese films. Otherwise they're missing out on a lot of opportunities.
I think anybody who tries to follow the conventional Hollywood rule, will probably be better liked than the ones who try to think a little bit out of the box.
I wasn't one of those kids who was chasing the dream and wanted to get to Hollywood because one day I was gonna get my chance and be a big star. I never felt like that.
My major intention for coming to Hollywood - besides the fact that I was just enamored with acting from a very young age - was that I was tired of seeing wimpy Asian actors.
The power and depth of Japanese acting certainly inspired me, so I was determined that Hollywood was going to get a taste of that, that Americans were going to get a taste of Japanese action.
I grew up in a small, strictly Catholic fishing village - the people there have a different attitude to life than those in Hollywood - people stick together.
I watch everything from independent art-house cinema to foreign film. I don't watch as many Hollywood blockbusters but once in a while, I'm curious. I like to see what's out there.
It was a very odd transition I guess because I didn't really intend for it to happen; it wasn't a goal of mine to end up in Hollywood and do anything other than sportscasting.
In Hollywood, there really is a stigma against wrestling. I think that's why people think wrestlers are Neanderthals who can't string two words together.
When I started in the late nineties, it was all about young Hollywood. There were jobs for all of us if you were 18 to 21, were slightly good looking, or could be funny.