This is the woman's century, the first chance for the mother of the world to rise to her full place . . . and the world waits while she powders her nose.

When all usefulness is over, when one is assured of an unavoidable and imminent death, it is the simplest of human rights to choose a quick and easy death in place of a slow and horrible one.

Life is a verb, not a noun.

We grovel and "worship" and pray to God to do what we ourselves ought to have done a thousand years ago, and can do now, as soon as we choose.

The labor of women in the house, certainly, enables men to produce more wealth than they otherwise could; and in this way women are economic factors in society. But so are horses.

To swallow and follow, whether old doctrine or new propaganda, is a weakness still dominating the human mind.

Love grows by service.

Eternity is not something that begins after you are dead. It is going on all the time.

A man's honor always seems to want to kill a woman to satisfy it.

If a woman is really injured by her marriage, she should sue under the employer liability act. She should claim damages--not alimony.

I used to lie awake as a child and get more entertainment and terror out of blank walls and plain furniture than most children could find in a toy-store.

Serving my generation with excellence will mean my generation can in turn lead with excellence.

The aim and the result of faithful, fruitful, and fulfilling service is to make God famous.

Misfortune does not help us to believe.

I am in that glorious position where I can redesign and re-package my own work.

Bugs is who we want to be. Daffy is who we are.

Greatness is a life mission being the best is not about being better than anyone else but striving to be the best that you can and bringing out the best in others

Out of the unconscious lips of babes and sucklings are we satirized.

What is the one bright spot on the entire horizon that would give someone an opportunity to be retrained to learn new skills? Direct selling.

Success in battle is not a function of how many show up, but who they are.

If you're dealing with a musical in which you're trying to tell a story, it's got to sound like speech. At the same time it's got to be a song.