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Steven Price Quotes: I worry about technical details - did I mix the cello half a decibel too high? Things like that.
         

I worry about technical details - did I mix the cello half a decibel too high? Things like that.


Steven Price
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Other quotes of Steven Price


A lot of the music editing job is communication and working out what a director really wants the music to be.

A lot of the music editing job is communication and working out what a director really wants the music to be.



I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.

I like taking my leads from what I see rather than trying to impose. I like that way of looking at things and seeing what's on screen and seeing how I can draw music out of it almost.



In the mid-2000s, I kind of accidentally became a music editor.

In the mid-2000s, I kind of accidentally became a music editor.



I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.

I like expansive stuff that has a lot of space in it, like some of the early Pink Floyd albums.



I'm a guitarist by background. That's what I used to do for sessions when I was younger and that sort of thing. We have several pianos in the house and I tend to just sit and fiddle around.

I'm a guitarist by background. That's what I used to do for sessions when I was younger and that sort of thing. We have several pianos in the house and I tend to just sit and fiddle around.



It's a funny thing with the inspiration thing. There's always loads of music around that I absolutely love and films going back to when I started making film music in the mid-80's.

It's a funny thing with the inspiration thing. There's always loads of music around that I absolutely love and films going back to when I started making film music in the mid-80's.



I tend to work in layers. There's a huge orchestra in the film, but I also record a lot things with very intimate groups, and I like to be able to use the textures of those intimate groups.

I tend to work in layers. There's a huge orchestra in the film, but I also record a lot things with very intimate groups, and I like to be able to use the textures of those intimate groups.



For me, I work very self-contained. It's literally just me sitting in a room doing it until the very end of the process when other musicians come in and instruments are recorded.

For me, I work very self-contained. It's literally just me sitting in a room doing it until the very end of the process when other musicians come in and instruments are recorded.



I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if you use them for that early stage of support for things.

I think after everything in the whole process of filmmaking, temp scores are great if you use them for what they're good for, if you use them for that early stage of support for things.



A lot of composers I know hate temp scores because people get attached to them.

A lot of composers I know hate temp scores because people get attached to them.





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Our strategy is one of preventing war by making it self-evident to our enemies that they're going to get their clocks cleaned if they start one.

Our strategy is one of preventing war by making it self-evident to our enemies that they're going to get their clocks cleaned if they start one.



My mother was American, and my father was from the Caribbean, and there was a big open door into the world of humanity and music.

My mother was American, and my father was from the Caribbean, and there was a big open door into the world of humanity and music.



You can't really compare people. That's one of the biggest lessons I've learned, because comparing yourself to someone else really stops you from being who you are.

You can't really compare people. That's one of the biggest lessons I've learned, because comparing yourself to someone else really stops you from being who you are.



Help control the pet population. Have your pets spayed or neutered.

Help control the pet population. Have your pets spayed or neutered.



Dreams don't have an expiration date.

Dreams don't have an expiration date.



He who owns the soil, owns up to the sky.

He who owns the soil, owns up to the sky.



I have then with pleasure concluded with Solomon, Everything is beautiful in his season.

I have then with pleasure concluded with Solomon, Everything is beautiful in his season.



The U.S. - E.U. economic relationship dwarfs America's economic ties with China.

The U.S. - E.U. economic relationship dwarfs America's economic ties with China.



Baseball’s absolute unpredictability makes amateurs of us all.

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Quote Description


This page presents the quote "I worry about technical details - did I mix the cello half a decibel too high? Things like that.". Author of this quote is Steven Price. This quote is about worry, details, half,.