I have two acting styles: with and without a horse.

Maybe love is like luck. You have to go all the way to find it.

There just isn't any pleasing some people. The trick is to stop trying.

People think I have an interesting walk. Hell, I'm just trying to hold my gut in.

Every two or three years, I knock off for a while. That way I'm always the new girl in the whorehouse.

The only difference between me and my fellow actors is that I've spent more time in jail.

The people who can do you the most damage are the ones who are closest to you.

These kids only want to talk about acting method and motivation. in my day all we talked about was screwing and overtime.

I never changed anything, except my socks and my underwear. And I never did anything to glorify myself or improve my lot. I took what came and did the best I could with it.

Listen. I got three expressions: looking left, looking right and looking straight ahead.

I kept the same suit for six years and the same dialogue. They just changed the title of the picture and the leading lady.

Hogwarts is threatened!” shouted Professor McGonagall. “Man the boundaries, protect us, do your duty to our school!

The mercy of the Lord is from everlasting to everlasting upon them that fear Him.

Their life is about getting enough money to put food on the table to feed their children, and that's it.

Beauty seems to strike some people as a personal affront.

Don't make your kids look hot and dirty and sexy when they're 5-years old! It's really not the place or the time. You're about 11 years early.

That's through intelligence, not through ignorance, believe me. Because some of the things that they're asking you to do [in the Army] and be politically correct about are ridiculous.

I'm an American first, and I think that's how most people are.

It's good to have certain restrictions sometimes, but it's definitely more fun to play really loud, with distortion.

Sometimes you don't want the truth. Sometimes you're like, "Oh just tell me the good answer. I don't want the truth."

Death is not a self-evident phenomenon. The margins between life and death are socially and culturally constructed, mobile, multiple, and open to dispute and reformulation.