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All these tales of people sitting down and composing symphonies just as though they were writing a letter are very much exaggerated; at least, it isn't that way in my work.
People have got that ancient prejudice so firmly rooted in their heads that one mustn't write save at I the dictation of the Holy Spirit. I tell you, writing is a business.
I wish I were one of those terribly clever people who, when they write their autobiographies, always say, when I was fifteen months old I distinctly remember my Aunt Fanny saying to me, etc.
Language is a living thing. We can feel it changing. Parts of it become old: they drop off and are forgotten. New pieces bud out, spread into leaves, and become big branches, proliferating.
So writing a song is much harder than doing a classical piece for me, because in a classical piece, I can just let the mood dictate what's going to happen.
I've been with Life now for seventeen years and I have written several articles for them and will be doing more writing and do at least two assignments a year besides my writing.
I wanted to be a politician and a movie star. But I was born a writer. If you're born that, you can't change it. You're going to do it whether you want to or not.~
Writing a really general parser is a major but different undertaking, by far the hardest points being sensitivity to context and resolution of ambiguity.
I've supported myself by writing since 1992, and I'm probably very nearly unemployable by now because employers are likely to be put off by the long gap.
And if there was something, suppose I wanted to write something really damning or embarrassing about one of the owners, that would really be a problem on the NFL's site.
Sometimes I think of writing as becoming this antenna that picks up the vibrations all around me in order to find out how and where next I'll be steered.
My writing, such as it is, grows out of my sense of discolation, I mean, dislocation. Having lost my place, I write to find my place, or to find once again that I have lost my place.
I suppose directing on set is the most fun because it's a good crack and you feel you're on the battlefield whereas writing is a fairly solitary undertaking.
There are probably seven persons, in all, who really like my work; and they are enough. I should write even if I were the only patient reader, for my aim is merely self-expression.
I know exactly what I want to write. I do not write until I do. Usually I write it all down only once. And that goes relatively quickly, since it really depends only on how fast I type.
A pathological business, writing, don't you think? Just look what a writer actually does: all that unnatural tense squatting and hunching, all those rituals: pathological!
I refuse to write the same story twice. I keep experimenting. I keep learning how to work. I've been at it pretty much 50 years, and I'm now beginning to learn how to do the job well.
I sometimes wish desperately that I could write like someone else, be someone else. No one particularly. Just if I could put the pen down on paper and suddenly come out in a totally different way.