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As you'll know yourself, there are these moments when you're writing a book when one remark or moment will pull everything together and you'll think, "That's it. I've got what I need."
The lower animals are our brethren. I include among them the lion and the tiger. We do not know how to live with these carnivorous beasts and poisonous reptiles because of our ignorance.
If we know how much passive violence we perpetrate against one another, we will understand why there is so much physical violence plaguing societies and the world.
You know, people really know me from 'The Best Man.' I've done five other movies since then, but it always comes back to 'The Best Man.' It was time to do the sequel.
If someone you know is diagnosed with cancer, give them a call or send them a letter to tell them how sorry you are and to let them know how much you care.
The best mobile phone had the best mathematician. They know how to fit a huge amount of data into a small amount of space. How to do things efficiently, how to do them cleverly.
I'm just a girl in a nurse's uniform, but that doesn't mean I know how to save these men, and they- they are men in uniforms, but that doesn't mean they know how to die.
I'd discovered you never know yourself until you're tested and that you don't even know you're being tested until afterwards, and that in fact there isn't anyone giving the test except yourself.
In fact, not knowing is a necessary condition of writing for me. I don't know how else to reach something unexpected. I have to be as in the dark as my characters.
I'm not a very good financing person. I don't even know how much money I have in my bank account. I never have opened one single envelope from the bank - they freak me out.
I went to boarding school and then I went to Oxford, and I know how easy it is for certain groups of people to become wholly insulated from ordinary life.
Indeed, I am repeatedly astonished by the number of really good writers who understand human beings so well on paper but don't know how to deal with them in real life.
When you're trying to do character work that's different from what people expect from you, you're sort of in territory that is uncharted, and you don't know how it's playing all the time.
You can be a French Canadian or an English Canadian, but not a Canadian. We know how to live without an identity, and this is one of our marvellous resources.
The only thing I really wanted was the freedom to be able to get what I want on film. I’ve dealt with the MPAA since 1973, so I know how to renegotiate and rework.