With movies, you are always in search is a good story, one that everyone will relate to and love. I love finding those stories and creating a visual world to tell the story.

Once you work with a studio on a film, the studio is sort of like this enormous clam that just opens, takes everything and then closes, and no one enters again. They own it all.

The studios will go wherever they smell money. It's like sharks to the blood.

We're waiting for the pendulum to swing back again, which I am absolutely confident it will.

We'd love to do Space Ace 3D. It has a lot of potential. But, it is really up to the publishers.

You've got to be able to make animation for much less... Less is not the studio's way.

If the machines can take the drudgery out of it and just leave us with the joy of drawing, then that's the best of both worlds - and I'll use those computers!

I prefer that animation reach into places where live action doesn't go, and it seems like all of animation nowadays is trying to go where live action is.

The only one that seems to be able to hold the business is Disney. They do it is because they have a fabulous philosophy about marketing- but even they wavered.

You just can't keep pouring money down an endless hole and never recoup any of it. It's got to be a business.

The heart of Dragon's Lair has always been its compelling story. With Dragon's Lair 3D, we think the team has really created an interactive animated movie.

...And you're the only one who knows.

An uneasy past often builds the strongest and finest people.

Many a spoken word is more piercing than an attack.

The best AC/DC cover I've heard? There was an all-girl cover band in America, the Hell's Belles.

This story is not and never was meant to challenge anyone's faith; however, if one's faith can be shaken by stories in a humorous novel, one may have a bit more praying to do.

Our message to the world will be this. You cannot obtain legal status or become a citizen of the United States by illegally entering our country. Can't do it.

Do remember that one line does nothing; it is only in relation to another that it creates a volume.

I draw all the time. Drawing is my backbone. I don't think a painter has to be able to draw, I just think that if you draw, you better draw well.

Artists everywhere steal mercilessly all the time and I think this is healthy.

In television, there's no time. You can't walk around and get into the mood. Nobody is going to wait for you. They're like, "Let's go!," and I'm like, "Wait, I haven't gotten in the mood!"