One of the tropes of our videos is that they were very rhythmic with clipped edits.

I think underneath it all [in the Big Funk] was a little bit of a Europeanness in it.

We were coming from a completely different place, which was saying "sound" is what you want to define it as, and you can shape it into music in whichever way you want.

We've always been observant of things, and I think Crackdown was very much like that and the film interpretation was that journalistic view of that situation.

Music doesn't have to be so rule-based - and so strict in its structures, construction and perception.

We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.

Crackdown, the video, interpreted and reflected a sense of authority and austerity and a sense of slight, impending doom.

I think what we tried to do lyrically, vocally and musically was to capture a sound.

If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.

We had always used found sound, but we had always used it in an analogue way. And it was the early days of using collage and sound in a digital way. MTV, a couple of years later would be that way.

Looking back, I think we were very much a part of democratizing music, and we wanted to demystify the process of making music - to show it's a myth.

Love is always the right decision.

Amazing uke playing to be relished.

Being willing to suffer often brings great rewards.

It is difficult for me to believe that quantum mechanics, working very well for currently practical set-ups, will nevertheless fail badly with improvements in counter efficiency.

They say it all started out with a big bang. But, what I wonder is, was it a big bang or did it just seem big because there wasn't anything else to drown it out at the time?

Know your opportunity.

A good writer writes with a camera, not a pen.

Confidences are always risky: a secret entrusted to a stranger make him less of one. You've given away something of yourself, given him the advantage.

Instead of building walls, we should be building bridges.

I'm not witch. I'm your wife.