Looking back, I think we were very much a part of democratizing music, and we wanted to demystify the process of making music - to show it's a myth.

I think underneath it all [in the Big Funk] was a little bit of a Europeanness in it.

We were coming from a completely different place, which was saying "sound" is what you want to define it as, and you can shape it into music in whichever way you want.

We've always been observant of things, and I think Crackdown was very much like that and the film interpretation was that journalistic view of that situation.

Music doesn't have to be so rule-based - and so strict in its structures, construction and perception.

We also worked with Marshall Jefferson for Groovy, Laidback and Nasty. So we were lucky to work with some really great people.

Crackdown, the video, interpreted and reflected a sense of authority and austerity and a sense of slight, impending doom.

I think what we tried to do lyrically, vocally and musically was to capture a sound.

If you're going to change things, one of the things we had to change is to get away from that traditional model of rock music, and we were a part of that.

One of the tropes of our videos is that they were very rhythmic with clipped edits.

We had always used found sound, but we had always used it in an analogue way. And it was the early days of using collage and sound in a digital way. MTV, a couple of years later would be that way.

I owe my last breath to death but not one breath more.

To me designing has never been a job or profession. It's a way of life, like a priest or rabbi.

Will we confront climate change in time or will we let fossil fuel companies determine our fate? This is a fight we can't afford to lose, and that's what keeps me moving forward.

I think there's some stuff that's at least photographically interesting. There are things I back off from trying to talk about.

This is such a special summer holiday for me. I haven't known myself so relaxed in years.

It is our own evil thoughts which madden us.

I always advocate to young women that if we don't do this for ourselves, no one else is going to. We have to have a voice.

I know of no such unquestionable badge and ensign of a sovereign mind as that of tenacity of purpose.

I live now in solitude and am able to use my time reflecting on the past and preparing for death. I cannot put away the thought of the Indians and in my ambition I fly to the Rockies.

The mountains paralleled the valley and the snowy peaks were extending with fall to the valley floor.