Obviously, I don't make an entire edition all at once, so the studio often goes back to produce editions, but that's a bit different. I guess I'm always thinking about the next work.

How does contemporary technology and culture changes our understanding of what it means to be human. What is our relationship with - and responsibilities towards - that which we create.

Most of the work I make uses materials that are a bit outside of the traditional fine art world.

The illusion of life is crucial for the work, otherwise the ideas wouldn't be able to jump across, people wouldn't engage with it.

Perhaps because of this, many have looked at my practice in terms of science and technology, however, for me it is just as informed by Surrealism and mythology.

I am particularly interested in the way that the everyday realities of the world around us change these relations.

I certainly don't see the humour in my work as something that detracts from its seriousness. It's just a way of making difficult messages more palatable.

I feel that there's hardly any irony in my work; if there's anything, there'll be sincerity, which people sometimes find hard to deal with.

Ideas rather than methods are central to they way I work, although drawing plays a central generative role in everything I do.

I don't think 'Dark Heart' has to be malevolent. It conveys a sense of depth. There is a sense of questioning turmoil.

I usually have several things on the go. Whether it is my own drawings for the next work that I am working on while a sculpture is being fabricated or several works at different points in production.

Don’t do that? This is your sage advice?”“Yeah.” He burped and blew it out the side of his mouth. “Sorry, the burritos we had for lunch are kinda comin’ back on me.

Language as well as the faculty of speech was the immediate gift of God.

It is said that Mr. Gladstone could persuade most people of most things and himself of anything.

A family is created throughout the process, and it's always difficult when you lose someone.

The dispute is still before the judge.

Dusty Rhodes wouldn't win a body building contest for best abs, MacMahon, he'd win for MOST abs.

I think Charlie George was one of Arsenal's all time great players. A lot of people might not agree with that, but I personally do

The reality, or substance, of professional wrestling is the ability to perpetuate a fantasy. I never distinguished between fantasy and reality. I made my fantasy reality for over 60 years.

When untouchability is rooted out, these distinctions will vanish and no one will consider himself superior to any other.

The study of sickness is the most poetic of the sciences.