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I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.
As far as the anxiety, I have no idea about it. I don't feel like I have any nervousness out there. I'm just a guy who really cares about being competitive and that's the bottom line.
I was immediately into all the great movie comedians - Woody Allen, Mel Brooks, Richard Pryor, Gene Wilder. Everything those guys had anything to do with, from I don't know how young. Super young.
All of those guys who told me that I was too short and how complicated the game was, it is not that complicated. It is the same game I have always played.
There are a lot of latchkey kids. I don't want to be sitting there when a guy blurts something out over the TV and have my daughters ask me what those words mean.
I'm not fast. But there are a lot of guys that are a hell of a lot slower than I am. Somebody wants to do a pay-per-view race between me and [Tom] Brady, sign me up.
I used to go to the Cleveland Comedy Club all the time. If there was a comic I liked, I'd go see him two or three times that week. Bob Saget was one of those guys.
Being the new guy's always great because you get to go in fresh with your own choices and you get to bring new life and breath and a new energy into something that's already established.
I'm trying to earn everything given to me. I play hard and I want guys to remember that when they play the Magic they have to face Dwight Howard. And when you face him you have to get after it.
I mean, I always think when you're an actor you have to be the guy running into the burning building rather than running out of it, if you want to make some noise as an actor.
You see the button with the guy with the tray, and you push it, and he arrives with a sandwich! And you think: "Yes! Yes! I control sandwich monkey! I live in magic land, magic land, magic land"
There's something about seeing a guy's feelings written down, something about him taking that risk and committing that heart to paper, that means so much more than anything he could just say.
Earl Scruggs is the guy who really made that leap with using three fingers in a rotating fashion to create this fast rippling sound that had never been heard before.
Whenever I've messed around with radio-controlled things, there's always been a part of me that's thought, I wonder if there might actually be a little guy piloting these vehicles.
Working with Sturges was like working with a guy who wanted to have a party all the time. He was very serious about his work, but in between shots, he was fun and we would play games.