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My little cousin tells me I look like Magneto so I guess that's who I should probably play.
My high school coach was Ray O'Conner. He has coached a lot of players that have signed professional contracts, and many of those have gone on to play in the major leagues.
I play a couple basic folks songs and break them down. I did that on a six string. I can't recall all the songs on it. There's some finger picking on it.
I would not rule out going to Israel because I disapprove of the foreign policy any more than I would refuse to play in the UK because I disapprove of Tony Blair's foreign policy.
A play's got to be a dramatic event, not a lyrical event. It's not music, it's not poetry, it's not dance, it's not narrative - it's dramaticit's about conflict. It's about forces coming together.
The one thing I would never wish it to be thought is that you play serious roles in order to achieve some sort of respectability which you can't if you're playing comedic roles.
People are always defining and re-defining music. My style of playing has been characterized as smooth jazz and acid jazz. I listen as I play; I'm not caught up in defining the type of music I play.
I couldn't get my album played over the so-called smooth jazz stations. Jazz stations would not play it. You don't always know who you're making that soul connection with.
Of course, the wind sort of swept up and the music was flying around in mid air and they were trying to play off it. You had to be there. It was quite funny.
Storytelling is an ancient and honorable act. An essential role to play in the community or tribe. It's one that I embrace wholeheartedly and have been fortunate enough to be rewarded for.
When I was real young I wanted to play baseball. I really loved playing center field, but that was never anything I was really ever that good at. I played up until I was in ninth grade.
I was a baseball player at North Central High School in Spokane, Washington even though I was all-city in basketball, even when I signed a letter of intent to play quarterback at Washington State.
I would take plays and I would cut out all the other dialogue and make long monologues because I felt the other kids weren't taking it as seriously as I did.
It is a hopeless endeavour to unite the contrarieties of spring and winter; it is unjust to claim the privileges of age, and retain the play-things of childhood.
It's always interesting to play characters who are vulnerable and how you display that vulnerability and what it's going to mean to people who watch it.
There are so many people I would love to work with, like Al Pacino, Paul Newman, Gary Oldman - maybe Tom Cruise. I wanna play his brother in something - so call my agent!
When you're doing a play you get to go full speed ahead, all night, in front of an audience. It's a roller-coaster ride, responding to other actors, it feeds you.