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I still feel like I can play defense at first base at a very high level
It's important to play the pieces that you feel you can play well. It was always my dream to play Bach - my first love and fascination - Chopin, and Szymanowski.
I don't play the role of a villain, really, but I like playing anti-hero kind of roles. I like characters where there's conflict, drama, and more personal investment than just being heroes.
Never underestimate the importance of having fun. I'm dying and I'm having fun. And I'm going to keep having fun every day because there's no other way to play it.
I always stay out of the rehearsal room you know when they first come in. Then once they had chance to play a little bit, then I walk in. Because I've seen guys fall apart.
My goals have gone from being an all-star to just being able to play basketball. I always took for granted that I could play. Now I know what a gift it is.
A fitting external security environment could also play an important role in promoting social consensus and institutionalization towards democratization.
I can't think of a more natural experience in my entire life than playing with Mike Dean, Woody Weatherman again. I really learned how to play with them in terms of drumming.
All the monsters in your mind just want to be nice. They want to be kind. They want to play nice. They want to be softer than the storms around. You feel them through the windows and the doors.
It fills me with dismay sometimes when you look at the scripts that do come to you that are primarily focused on violence. There are so many other things to play around with.
From a Buddhist point of view, emotions are not real. As an actor, I manufacture emotions. They're a sense of play. But real life is the same. We're just not aware of it.
Kazan was an old friend, I met him in 1938. He picked up radio jobs for eating money, so I met him on a couple of radio shows. Later on I was in a play he directed.
I was playing this horrible part. I didn't didn't want to play it because the character was an awful racist. But I'm glad I did it because I met Sidney Poitier.
But I'd play on everything from pop records to a lot of the glam stuff to rock stuff to classical stuff. I used to get called to do all those things, it was great.
What you do, is you gradually become more and more experienced, and more and more realistic about dramatic tolerance, i.e. about how long the play should be.
In the casino, the cardinal rule is to keep them playing and to keep them coming back. The longer they play, the more they lose, and in the end, we get it all.
It's been like therapy to be able to play music and not embarrass my children too much. They've come to a bunch of the shows. It's kind of cool. I'm glad they like it.