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I love gentle, gorgeous classical music such as Mozart.
I've already got notebooks full of ideas for new music, so I'm gonna kind of nurture that just like I do all of my ideas and perfect it until it's ready and then I'll just let it go.
I think that, y'know, they seem to really love music, which means they'll stick with it. I think that Hanson could be really good in a few years, actually!
I don't want to give any advice to a 19-year-old, because I want a 19-year-old to make mistakes and learn from them. Make mistakes, make mistakes, make mistakes. Just make sure they're your mistakes.
I didn't want to be precious about things. Of course, the idea is to make great music, but if you have great musicians up there, it gives me some leeway to play around a little bit.
I remember rap music. We used to party and dance off of it. Today it's all about a whole different angle... Rappers are going against each other, and it's more of a bragging, boasting thing.
I wouldn't consider myself a songwriter at all. Maybe I piece together a certain little thing here and there, but songwriters are people who do this with sheet music.
I just started playing music on the street and walking around with a fiddle, and I think that's kind of when I started being serious - or as serious as it's going to get.
I didn't have any intention of playing music for a living or anything like that. I was just not doing well in my head or whatever you call it and drinking too much.
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
Our criminal institutions are full of creeps like you who do wrong things, and many of them were driven to these crimes by the horrible force called music.
I call the notion that we are nothing but killer apes the Beethoven fallacy. Beethoven was disorganized and messy, and yet his music is the epitome of order.
Why do comparisons of words and tone poems (poetry and music) never take into consideration that the word is a mere signifier, but that the sound, aside from being a signifier, is also an object?
When you say something is very different to a core base that expects heavy music from you or very aggressive music, everybody tends to go, 'Oh, they're gonna get mellow, they're gonna get soft.'
Our music has always been instant reactive and I guess taking our time to absorb things and say what you really want to say could be much more offensive than anything we've ever done.
I like when I use music in film that it isn't just gilding the lily and it isn't telling you how to feel. It's giving you something, some other information that you cannot otherwise get in the scene.