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Egotism is not a good quality. It's not something to be admired or even tolerated. It wouldn't be tolerated in a field commander and it shouldn't be tolerated in a movie director.
Quite often - a lot of the work I had done had been extensively with women. Most especially in the theater, but also quite often in the movies. That has its own delights, and maybe pitfalls too.
I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much... that I had a hard time painting him.
Life is a beautiful thing. But you're always striving to be better in your art, striving to be heard. And obviously in a movie business, it's striving to be noticed and appreciated.
I want to point the way to something that should forever lure them, when the TV set is broken and the movie is over and the school bell has rung for the last time.
I kinda see my current position like this: Here's your five minutes in the toy store, so you gotta do all the good movies you can before 'Chuck Woolery' rings the bell.
I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.
Great music is its own movie, already. And the challenge, as a music fan, is to keep the song as powerful as it wants to be, to not tamper with it and to somehow give it a home.
I could be making a lot more money now if I had chosen a different kind of movie, but none of that matters to me... I've done the parts I wanted to do.
Chick flick is not a term used to praise a movie. Nobody says 'it's a great chick flick.' It's a way of being derisive. I'm not clear why it's ok to do it.
A movie and a stage show are two entirely different things. A picture, you can do anything you want. Change it, cut out a scene, put in a scene, take a scene out. They don't do that on stage
I'm legally unable to ride motorcycles. It's a contract that I have with my life insurance, so whenever I get a chance to do a movie and ride a bike I go for it.
More like the movie where the guy meets a smart girl who wears a lot of sweaters and drinks cocoa. They talk about books and issues and kiss in the rain.
One of the problems I have with a lot of movies these days is that everything is too well lit. In the world of digital creations there is a tendency to show too much
After studying in Sheffield, I went down to London to do my post-graduate degree at the National Film and Television School, embarking on the movie that would eventually become 'A Grand Day Out.
I simply went down there to catch up with an old mate of mine, who owns the place. He's the one who wrote the book on the place, but no, no movie, just a beer.
I have a theory. An audience doesn't need to get wrapped up in blackness every time they see a Negro actor. And a movie doesn't have to be about race just because there's a Negro in it.
It's all false pressure; you put the heat on yourself, you get it from the networks and record companies and movie studios. You put more pressure on yourself to make everything that much harder.
I write screenplays that don't get made and pilots that don't get picked up, and I re-write other people's movies, and those are all different kinds of fees.
To tell you the truth I love Sam. It's not a movie kind of love either. I just look at her sometimes and I think she is the prettiest and nicest person in the whole world.
I wanted to do an acting role in a movie that had nothing to do with the music business or in which I would play a singer or a songwriter. When I act, I don't even want to be thought of as Ne-Yo.
I don't believe that you can judge the worth of a movie in the atmosphere in which it comes out the first time. There's just so many reasons why some pictures don't catch on.
Surprises are good. I'm not of the thinking where you tell the audience everything. Sometimes I don't even want to see the trailers. You see the trailer, you've seen the movie.