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Language is basic to all of our existences in this world. We depend on it.
When I took my first poetry class, I felt that I could understand the relationships between words and the formal qualities of language in a way I would never understand music.
So much of language is unspoken. So much of language is compromised of looks and gestures and sounds that are not words. People are ignorant of the vast complexity of their own communication.
We cannot rely on our native tongue if our spouse does not understand it. If we want them to feel the love we are trying to communicate, we must express it in his or her primary love language.
My grandfather, mother and father were gifted verbally, and my mother passed that along to me. She always made sure I was conscious of language and words.
The whole problem with this idea of obscenity and indecency, and all of these things - bad language and whatever - it's all caused by one basic thing, and that is: religious superstition.
A marvellous power of expression over language often distinguishes genius; but Shakespeare in his phrases seems independent of the bonds of language as of the bonds of metre.
Procrastination is the longest word in the language, but there's only one letter between its ends when they occupy their proper places in the alphabet.
Most people who bother with the matter at all would admit that the English language is in a bad way, but it is generally assumed that we cannot by conscious action do anything about it.
The cliché is dead poetry. English, being the language of an imaginative race, abounds in clichés, so that English literature is always in danger of being poisoned by its own secretions.
It's a kind of liberation to break free in language, if you can break free, but it's also a confinement, because form confines you - whatever the form.
All I do know, for certain, after 53 years in this business, is that writers who sincerely think that their language can represent reality ought to be plumbers.
Willem de Kooning paintings are a language to be learned. When they were first shown, they were ridiculed as being just drips and splatters and splashes. You had to learn how to read them.
You've got a new Spanish-language album out now ["90 Millas," released in September of 2007], and the single ["No Llores"] is #1 on the Billboard Latin chart.
I started writing poetry because language was how I understood the world. It was a paradigm that made everything matter and in forms that were safe to hold what I felt.
I'd defend the right for any novelist to experiment with form or language, but if people don't take to it, don't react by making out that they are thick.
I don't have any phobias with any language, and I've grown up listening to Anglo-American rock n roll as well as Welsh-language punk rock and I'm all for sharing languages.
The plain people, hereafter as in the past, will continue to make their own language, and the best that grammarians can do is to follow after it, haltingly, and not often with much insight into it.
When someone's an actor and you're an actor, you meet them and you feel like you know them. We're in the same business, and we all speak the same comedy language.