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I’m here now, I’m inevitably going to die at some point, and as an artist I feel an ardent urge to constantly be creating.
I'm one of the artists that even though I love my soulful stuff, I love to turn up and have a good time and that's another side of me. As long as it doesn't veer away from who I am, I'm down with it.
When people see me struggling on paper, I think it invites an almost collaborative relationship with the outside world, and that includes readers and other artists.
Anything you ever make that matters takes a long time. Some artists never see their work in front of an audience, so for them 15 years is a blink of an eye. I am nothing but grateful.
I'm not a writer, but today I think you have to be everything. As an artist you have an obligation to let people know what is on your mind and why you're doing this.
The moment artists can just do what they love to do then music will go right back to where it used to be. I mean back in the '60s and '70s and '80s, that's what it was.
You have too take from each artist what works for you, and then create your own sound. You put different combinations in the mix and it becomes something unique in the end.
Our label is very digital-friendly. We try to provide some free stuff to get interest in the band, but we have to pay our artists. They have to get paid.
I have a life and do a lot of things, and so far my work has been my life. If I was a painter no one would question me about my age. I'm an artist, I hate saying that.
I do original songs in the style of other artists, where I try to learn all their musical idiosyncrasies and try to do something that sounds like them and yet is a bit more sick and twisted.
It's hard to say, I picked one of my favorite articles for the MAD vault. Which is one of the features of the Magazine so they don't have to actually pay artists or writers to come up with new stuff.
In a genre where most of the artists are one-hit wonders, I've been able to hang around longer than most "serious" acts. I pride myself in being a very talented leech.
Our father the novelist; my husband the poet. He belongs to the ages - just don't catch him at breakfast. Artists, celebrated for their humanity, they turn out to be scarcely human at all.
Every musician I have ever heard has influenced me. I often find I emulate micro-aspects of an artist, and combine it to form something new and unique.
I'm a liability to them - I'm a woman, I'm empowered, I'm an artist. I've had executives who can't come to my shows they're so scared of me. I've been a thorn in many people's sides just by existing.
The film [Boy and the World]gave me the possibility to create a new language. Animation is a very rich medium but hasn't fully been exploited by artists. Often artists are trapped by words.
The idea of a talent that was bigger than an artist's ability to choose to use it, that would dictate the artist's life more than the artist could dictate, was interesting to me.
The primary role of the music industry is to have artists be heard above the rest. It's a big needle in a haystack problem. The Internet has the service and tools to find the needle in a haystack.
One needs to be on guard against expecting external powers to decide when you can take yourself seriously as an artist. It can be a long wait - and lead to endless appetite.