I never considered myself a performance artist.

People always understand everything in retrospect.

Anything important has to be almost invisible. And underrated. So the understructure should be underrated, but strong enough to hold the earth.

Public art existed all along, but ecological art just naturally grew out of my thinking and writings in that area for years. I didn't get involved in it; I started what then became a movement.

People are always fighting reality until it's pushed down their throats.

Most wonderful things are unconscious.

People have too many problems during the day; they don't want to think.

When I'm gone, you'll be sitting in a cafe and say, "Do you remember Agnes?"

People don't hurt what they love.

I went through about six or seven painting methods just to see what I didn't want to do. And then I got off the wall, and went into the environment.

Thinking has an understructure and underpinnings.

Elizabeth Hurley and I had a lot of fun together. She's a very beautiful, confident woman.

One can't be free without action.

I like being a strong, independent woman, and to be honest, I was never afraid to be on my own.

I learned to value the small transactions as well as the large.

Compassionate conservative soft bigotry of low expectations.

People win 'Oscars', and then it seems like they fall off the planet. And that's partly because a huge expectation walks in the room and sits right down on top of your head.

You want women to think of you in a sexy manner. It's all part of the business. It drives ticket sales. It's all a part of it.

Now and then in travel, something unexpected happens that transforms the whole nature of the trip and stays with the traveler.

I could eat a feeling faster than anybody, put a little hot sauce on it and wouldn't recognize it until it showed up on my behind three days later.

When we read history we find that in all ages people have thought, this is the dark age.