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There seems to be a weird ceiling to being a stand-up as far as acting.
There is a ceiling to it and there's a stigma. Billy Crystal as brilliant as he is, he's never going to be thought of as a contemporary like Alan Arkin.
Comedians are always going to be in the showbiz middle class, you're not Brad Pitt; you're never going to be Sam Rockwell or Shia LaBeouf or Leo DiCaprio. You're a comic.
The allure becomes, "Can I make these rooms bigger?" Can I fill these 1,500-seat rooms? Then the allure is, how much, if we're being honest, how much can I squeeze out of it financially?
It's always a job when you're the reason they're assembling. If you're just doing shows and you're on a lineup with eight other guys, it's fun, it's great.
This happens to me every couple of years. I'll look at someone I respect and I'll realize that he's outworking me. It changes the way I behave for the next half decade.
I'm telling you, I could teach at a university, [George] Carlin, a whole semester. The construction and deconstruction of the words, the language, the order.
As a writer I am proud that if you took my last four books, and they didn't have my name on them, I don't think readers would know they were by the same author.
The people of Missouri said they expect their elected leaders to support public schools because they know that education is the best economic development tool there is.
Nuclear weapons are to be worried about only when they're in the hands of Ronald Reagan - not so much when they're in the hands of a Third World anti-imperialist like Saddam Hussein. Can't you see?
In human history who hold the reigns of political power, and there are some women who were very much a team player during their husband's oppressive regime.
I'm self-centered, inconsiderate, and what was the third adjective? Oh, yes, and I have this infantile fantasy that one day I'll amount to something as an actress.
Bad restaurants find unique ways to be bad. Good ones are good in the same way: good food, nice staff, a pleasant room. The human capacity for finding unique ways to screw things up always amazes me.
There's people who actually have a whole science devoted to what makes a sticky meme and that idea of that question of why some ideas about how civilizations work catch on and others don't.
I don't stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it's a comedy or a suspenseful way through it if it's a drama.
But I couldn't cut that whole septic tank scene out because the audience liked it so much. So I sort of fell right back into getting a cheap laugh, but I still loved it.
My biggest role as director on the film is keeping a sense of the overview - how to cast the movie and shoot it in such a way that it will cut together. And how to design the style and tone.
Sometimes I would like the opportunity to do character-driven comedy and that's really what I was trying to do in Meet The Parents. I think in a way this is a more old fashioned type of comedy.
It was an interesting process trying to get Bob to talk about the film because he's such a shy person. He generally likes to talk when he really knows he has something to say.
I like to shoot a lot of choices. I like a lot of stuff - and so I push to go faster, to shrink the time between the takes so that the takes are what you're spending all your time on.