I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us.

Do goofy stories make people nice? What if, in their goofiness, these stories somehow inspire that in the right way. Is that a social good?

I hate conservatives, but I really hate liberals.

With religion I was always like, 'Does it matter if it's true if it makes you happy?'

The culture is just so coarse that you have to take it to that level and people will be like, 'Whoa!' And then you can make people think about stuff. It's kind of like shock therapy.

Anybody in television lives under grinding deadlines.

The last few years on ‘South Park’ we have done some of the riskiest things we have ever done, knowing it could kill the show, but we also know that’s what we have to do.

That decision to commit your life to certain principles and a certain narrative, if I wrote a paper on that, I know I'd find inconsistencies.

There's something uniquely aggravating about the smugness of liberal Hollywood.

Sometimes we come up with something great, but a lot of times it just feels like work.

I'm concerned about people being happy.

It's all about Perfection or the tolerance of Imperfection

Sure, stories can be like a fire on a cold night. But they can burn too. There ain't nothin' can cut deeper or sting with more poison than words can.

Culture is about humanizing people. You look at the African-American civil rights movement, you look at the LGBT rights movement - the culture changed before the politics did.

I'm coming for Ryan Seacrest - I want to be the black Ryan Seacrest for BET. I want to host, I want to produce, I want to do everything for the network.

I don't think being angry is useful or healthy, and usually when I get angry, my brain just goes right out the window. Boom, as soon as the adrenaline hits, instant stupid. Just add water and mix.

Great is the hand that holds dominion over man by a scribbled name.

I grew up, really, in the country.When I was a kid there were three country stores, a railroad depot, and a post office.

I have more money now than I know what to do with.

I wanted to represent the world as a temporary art installation continuously changing. I wanted to consider it unreal and unfinished, judge and transform it, a possibility that only art gives us.

There's one form of immortality I like to think about. It's that all those who from the very first have given anything to the world are living in the world to-day.