I've been into music for a long time. I started playing drums when I was 8 and piano when I was 10, then bass and guitar when I was 18.

A low budget is uncomfortable.

In choosing any role, I ask the same questions: what kind of part is it? is the role challenging? does the director have a vision? is the story moving? etc.

Material Girls was so different for me, I'd never done a teen movie.

On a low-budget film, you don't have all the luxuries.

I love seeing people having fun. Everyone over in L.A. is too cool for it. That's the problem.

I also couldn't pass up the opportunity to be in the same movie as Jack Nicholson and Glenn Close.

It's cool to play a sinister bad guy who also has a human side.

What a loss it would be if feminism killed chivalry.

I don't know how to do it today, but I will know how to do it tomorrow and do it.

I think Visions of Cody is the most radical book in terms of poetic stretch and the way Jack Kerouac is able to incorporate documentation and incorporate the live tape recording of Neal and so on.

The market alone can't solve our health-care woes.

Men don't have as many difficulties and are more supported to combine the different aspects of their life.

Modesty is my best quality.

. . . the time has also come to identify and preserve free-flowing stretches of our great rivers before growth and development make the beauty of the unspoiled waterway a memory.

Thirty-five is a very attractive age. London society is full of women of the very highest birth who have, of their own free choice, remained thirty-five for years.

I feel comfortable, I'm definitely feeling challenged but with each day I gain more experience. I'm just trying to improve each day.

How did Jefferson feel about the people of his day who were the equivalent of our modern day penecostals? You know, those revelation reveling tongue speaking idiots.