I'm a complete supporter of Obama and kind of in love with him.

The biggest cliche in Photography is Sunrise and Sunset.

I like that time is marked by each sunrise and sunset whether or not you actually see it.

The reason I call myself a documentary photographer is the idea of how photographs contain and participate in history.

I'm very empathic to the construction of masculinity within our culture and how we build these identities up.

Language is a very complicated thing, and that's one of the reasons why I like making photographs.

Nature is a dream state at this point, that we almost don't have a real relationship to it unless it's people living off the land and killing our own food and going for it.

...things become mainstream when they become imaged over and over again. Something happens in relationship to ideas of representation that makes it more palatable or digestible.

I'm kind of a twisted social documentary photographer.

Light is everything in photographs and has to be considered in all situations.

I tried to get as far away from home as possible after I graduated from high school because I had a hard time being a kid.

In fiction: we find the predictable boring. In real life: we find the unpredictable terrifying.

Men are like busses. I mean, you wait for ages and ages, and when one does finally come along you can't get on. And that bit about them coming in threes, well, that's just a myth.

It should be held as an eternal truth, that what is morally wrong can never be politically right.

Technology is nothing. What's important is that you have a faith in people, that they're basically good and smart, and if you give them tools, they'll do wonderful things with them.

The greatest thing by far is to be a master of metaphor.

My love of words, alcohol, and stage antics basically cemented me as a rapper, but it wasn't a career that I wanted to do. It was just, "I like to do all these things at one time."

Words were not given to man in order to conceal his thoughts.

I was totally romanticizing the idea of Los Angeles when the Doors, Joni Mitchell, and Neil Young were hanging out there.

I'm for truth, no matter who tells it.

A gentleman doesn't pounce he glides. If a woman sits on a piece of furniture which permits your sitting beside her, you are free to regard this as an invitation, though not an unequivocal one.