Eugene O'Neil created an American theater, and Tennessee Williams taught it how to sing.
John Guare
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Other quotes of John Guare
It's amazing how a little tomorrow can make up for a whole lot of yesterday.
And it is always Easter Sunday at the New York City Ballet. It is always coming back to life. Not even coming back to life - it lives in the constant present.
Feydeau's one rule of playwriting: Character A: My life is perfect as long as I don't see Character B. Knock Knock. Enter Character B.
Show business offers more solid promises than Catholicism.
However, the moral center of New York City, I believe, is the New York City Ballet.
The great risk is always saying, "how will I communicate what I'm trying to get across to a room full of strangers sitting in the dark watching a stage?"
How much of your life can you account for? My life is a collage of unaccounted for brush strokes; I am all random”.
I don't think about taking a risk. I think about how far can I go. How can I make myself. What are the risks I must create.
You can read ten books and finally come across one detail, and it's like, "now everything else makes sense. Now I know where I am."
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Life and death are something everyone will experience. It is living that only few will have embraced
One thing I probably share with everyone else in the astronaut office is composure.
When someone who's always been in your life is gone, it's a stunning adjustment of your own identity.
It makes me believe in fate. In most cases, the readings where I've been really bad have usually been the ones where I got the part
As you grow, it feels hopelessly corporate but it really is worth putting in place these compensation bands.
Dread is a sympathetic antipathy and an antipathetic sympathy.
The government should always be the one defending civil liberties.
