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The desire to confess ... lies at the root of most fiction writing.
As you'll know yourself, there are these moments when you're writing a book when one remark or moment will pull everything together and you'll think, "That's it. I've got what I need."
Give the villagers village arithmetic, village geography, village history and the literary knowledge that they must use daily, i.e. reading and writing letters, etc.
I can imagine moving out to the seaside at some point. I like Brighton, my sister lives there. I'm a seaside boy and whenever I go there, I find myself writing songs about it.
I realized that I started writing songs to make people feel how I felt, rather than just making them feel something. That's not the way I should do things.
The thing I respond to the most is just great writing, interesting characters. I like to think that there is something fun about playing a character that has a lot of authority in her own life.
For better or worse, most of my writing life has been about people that work behind the scenes. I'm interested in finding extraordinary moments in otherwise normal people.
I do think there's a lot of bad writing, and I worry about that in philosophy. I worry about it even more in literary studies, but I wouldn't blame it on any one methodology.
Through my former experiences, writing poetry and learning other languages leading up to English I find ways to stitch words together that may seem a bit odd, but somehow, sometimes they do work.
That's where everything starts, as an actor: you've gotta have great writing and great character development, and then you have really great materials to work from.
In high school, I wanted to be an actress. Until I got to college and took some creative writing courses. Then I decided I wanted to become a novelist.
Writing a book is a bit like going on location for a movie. You're absent from your life, your family, and your friends. You're psychologically gone, so you might as well be physically gone.
NaNo[ National Novel Writing Month] is an awesome opportunity to stretch your writing muscles and gives you permission to write in a way you probably wouldn't do in a normal circumstance.
My writing process is very feedback-based. When I do stand-up, I listen to the audience. I try to understand what's connecting, what's not connecting, and then rewrite, rewrite and rewrite.
I guess it's a bit cliché, but as an actor, I really admire good writing. There are a lot of great ideas out there, but it's the execution that really makes it work.
Writing a book is the most terrifying thing that I've ever done. It's so much harder than writing for television because it is a completely different skill set.
I have a Sharpie. I love Sharpies. You know what they say on them? Not for letter writing. That sucks. Now I have to communicate with my dad using numbers.
I took a couple of creative writing classes with Joyce Carol Oates at Princeton University, and in my senior year there, I took a long fiction workshop with Toni Morrison. I fell in love with it.
Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent.