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I usually can be more honest writing songs than actually talking to people.
Good writing never soothes or comforts. It is no prescription, neither is it diversionary, although it can and should enchant while it explodes in the reader's face.
Writers end up writing stories-or rather, stories' shadows-and they're grateful if they can, but it is not enough. Nothing the writer can do is ever enough
When I'm writing a book, you can't think about your audience. You're going to be in big trouble if you think about it. You're got to write from deep inside.
All good writing is built one good line at a time. You build a novel the same way you do a pyramid. One word, one stone at a time, underneath a full moon while the fingers bleed.
There's a perception that good writing is writing which runs smoothly. But smooth-running prose can work against what you're trying to express in a novel.
You know, there are those writers who work at writing every day. I'm not one of those guys. I tend to work at varying levels of intensity, based on the amount of time and energy I have available.
Poems are ways of saying you clearly remember the day of your death and your tomb. When I am writing poetry, I relive my days when a woman inside me dies many times.
There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
When I'm writing a book - say I'm going to write a parenting book. I'll go out and buy the 100 top parenting books and I will read those, not so I can copy them for sure.
When I stopped trying to write songs, that's when I'm able to begin writing songs. You have to just use your life, and the things around you for your inspiration.
I'm really interested in writing a piece of music that will move you, that will really move you. That is really the only reason that I'm writing music.
When I was in high school and college, my other real focus was, actually, fiction writing. So in college, I had done all these seminars with these various writers-in-residence.
When you've got good writing, you can kind of give up all the research, in a way, and start just following the emotional integrity of the journey of your character.
Writing a book set in New Mexico was partially a way to express my own love for the state, and partially a way to prudently follow the advice to write what you know.
I've described my usual writing process as scrambling from peak to peak on inspiration through foggy valleys of despised logic. Inspiration is better when you can get it.
If you think it's worth writing a book about then that means you suspect that you're not the only one. You suspect that it has something to do with the larger patterns of your culture.