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I think the complaint that I hear most often from kids, even kids who like to write is that don't know what to write about. A journal is a great source of story starters.
Writing is this act of faith - a bit like driving in the fog: you can hardly see just in front of you. But you trust God's leading you and you just write into the space you can see ahead of you.
Maybe I could have been good as a drawer if I had done it as much as I did writing, but it's more scary to draw. It's more revealing. You can't disguise yourself in drawing.
I also don't have organized religion on Pern. I figured - since there were four holy wars going on at the time of writing - that religion was one problem Pern didn't need.
I have two writer daughters, and a psychoanalyst daughter, and a lawyer daughter, and they wish we didn't write, I'm sure, but we write. If we were a painting family, we would paint.
Many writers do write about their families and their immediate loved ones and love experiences, either as children or as adults. And very often people get offended by it.
I don't write out of fear. I write out of a strong urge to meet death on its own eternal terms, because the fact is that if you write as little as a page of prose-even bad prose-that is eternal.
On Twitter, when someone would die, I would write a joke. Or if there's a tragedy, I would write a joke and tweet it. That was my thing, and then at a certain point, people started demanding it.
Is it our job to judge? The gendarme, policemen and bureaucrats have been especially prepared by fate for that job. Our job is towrite, and only to write.
I procrastinate, and I push writing to the last available moment, because I don't like to settle on anything. I guess you can call it indecision or you can call it holding out for inspiration.
I've always liked the classic "young adult" writers like Mark Twain, Jack London, Roald Dahl, Charles Dickens. They write so clearly, and they know how to entertain.
It is my art. I am better at it than I ever was. And I will do it as long as I can. When you reach a certain age you can slough off what is unnecessary and concentrate on what is. And why not?
In India, whichever language you write in, the possibility of people not understanding irony or not understanding [remains there]. This as a writer is most terrifying!
The process of writing a novel begins with a pang, a moment of recognition, and a situation, a character, or something you read in a paper, that seems to go off, like a solar flare inside your head.
I love to write songs and sing them, and I didn't really know much more than that. Somehow it's gotten to the point where a friend can say, "It's very you," and that made me feel good.
Some day some one will write a book about that frantic search of the creative worker for silence and freedom, not only from interruption but from the fear of interruption.