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I never spent less than two years on the text of one of my picture books, even though each of them is approximately 380 words long. Only when the text is finished ... do I begin the pictures.
To present a scientific subject in an attractive and stimulating manner is an artistic task, similar to that of a novelist or even a dramatic writer. The same holds for writing textbooks.
And I refuse to feel guilty about not letter-writing either. There are times when one can, times when one can't. In the times when an enormous amount of living is going on, one can't.
One of the reasons that I think I do love to write is because I did have a difficult childhood and not so great teenage years. It always helped me escape from my problems.
One of the things I find in writing about people who are dead is that, after a short or long time, no matter how close the relationship was, they become like characters in fiction.
I wrote on my desk wall when I was writing the film...'Art is socialism, but life is capitalism.' That's the hard thing in all of it if you expect to make a living.
The most important thing is to write material that YOU think is funny. If you don't think it's funny, but you're convinced that other people will think it is, well they won't.
If your book is set in the plantation days of the slave-owning South and you write a little romance between two slave owners without acknowledging the system they live, that's a political gesture.
Noah Baumbach writing is really wonderful. I think the way he plays out each character with a unique voice is really impressive, and rhythmically his dialogue works.
Use original detail in your writing. Life is so rich, if you can write down the real details of the way things were and are, you hardly need anything else.
When you write what you know, you stay in control. One of the first things I encourage my writing students to do is to lose control - say what they want to say, break structure.
I always keep myself busy. I'm writing. Or I'm creating something. Or I'm doing stuff with the kids. I'm up incredibly early in the morning; I go to bed incredibly late at night.
An idea that will translate really well musically should work visually. I try to write music that you can feel if you were to close your eyes you can see what I am talking about.
If writing a novel is a year's exile to a foreign country, writing a short story is a weekend spent somewhere exotic. They're much more like vacations, more exciting and different, and you're off.
At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes.