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Occasionally [Donald Trump] says things that are too strong and upsets people, and I think he'll work to do better on that.
I think the audience is truly all ages: I don't put anything in there that kids can't see, or shouldn't see, but I have to keep it interesting for me as an adult
That's something that I think as a songwriter you have to ask yourself - why you're doing it. The world certainly doesn't need more songs. Are you doing it just for your ego?
I always think its easier for me to write without thinking about the strict meter that's required for songs and song structures and things like that. It's much easier to just write on the page.
I always think I don't have any songs, I don't have anything I'm working on, and I get in the studio and realize there are 20 things I'm thinking about. It's just kind of second nature.
I don't think there is anything hard at all about having a lot of songs. It makes it easier to be less precious about them, and know that everybody's going to want to work on some of them.
Only sometimes I try to think about it in context. When I think about the context of, "Oh, I'm this or that," in this society, that's one of the terms.
But when I was a kid, I would look at the paper next to the phone and I would think to myself, "I want to do that." So I started doing that. [doodling]
I think it's the sign of a leader to step up and say, you know, when something's not working to have the guts to reverse it. And the worst thing you can do is to let that mistake linger.
I think a lot of young aspiring writers get misdirected; they think 'I ought to write this, even though I enjoy reading that'. What you have to do is write what you enjoy reading.
It's becoming apparent that I like bad boys. That's one of my problems. They've all been bad boys. You're one too. You're a bad boy. But, I think you're a good bad boy.
Feelings are universal, and if an actor's doing his job, I think he's making people sit there, and if it's in a movie or a theatre, going 'Hmm, yeah, I know that... I know that.
I don't think an actor's job is to be recognized. I think an actor's job is to facilitate the writing in a way that changes the way people think. No other business does that.
I would like to feel that I have a range and that it's not just a matter of being a comic actor or a serious actor, because those are really artificial classifications, I think.
I don't think talking about myself making songs is a very interesting topic, there are so many other more engaging things to think about and write about.
I usually think of art as having a measurable content of nourishment, whether factual or emotional or whatever, and I try to make sure that whatever I do has as much nourishment as I can muster.
Do you think Bernie Sanders, for example, is citing Theodore Roosevelt as the progenitor of his critique of the banks when actually Roosevelt wanted to keep the banks together and regulate them.
I'd always had a crush on Teri Garr - and still do. I've always adored her. I mean, who doesn't think about Teri in Young Frankenstein? I mean, come on! It makes you talk in that accent for weeks.
I think your resources are feeling. Your resources are depth. Your resources are learning. Your resources are touching and feeling. And for me, sobriety helps and aids all of that.
I guess, as a conductor, one goes in and out of fashion. Your career starts with a bang, everyone thinks you're wonderful, and then with middle age, something happens and you go into the wilderness.
For lack of any clearer idea, I just started acting one day. It had been in the back of my head for a while, but I think in some ways I was afraid to do it, and finally I just stepped up.
I think Damien Hirst is hilarious. And I think he's a true artist. He's not hilarious first; I think he is a real artist, and I also think he's got an amazing sense of humor.
I think that, for me, my favorite thing to do is perform standup onstage. Everything else I do is for the exposure to do more stand-up onstage, and for the money, and for the health insurance.