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I never do impressions, but I probably should. People like that stuff.
A lot of people think I'm difficult to work with. It's not like I really want to do that much stuff, so it doesn't really matter. I guess I'm somewhat difficult when it comes to comedy.
Michael O'Donoghue was a very close friend of mine - very encouraging with my stuff, and really a great guy - but he was a no-kidding difficult person.
Greatest generation came through some stuff that we can't even imagine - the Depression, World War I - and all they wanted after that was a breather and a calm and a quiet life, and they get us.
I like my R&B, my hip-hop. But I'm old school, I don't like a lot of new stuff. Though I do like a little bit of Meek Mill. He kind of sounds angry when he's rapping so I like that part of the game.
I'm not that materialistic. I like nice clothes and that, but I don't spend lots of money on stuff. I'm not really into TV, I don't have an iPod, I've got a gramophone.
I'm about going out in the world and noticing stuff, and going home and writing it down, and putting it next to other stuff I've noticed and seeing what happens.
Even though there's stuff that I really like that is just a retro sort of style or whatever, I feel like what I'm most excited by is new mixes of things.
In terms of soccer, it wasn't really a thing that girls did. In England it more kind of Net Ball and Hockey and stuff like that in athletics. It's to each their own, really.
I was always trying to pick guys up. I'd ask guys out and stuff like that. I had no pride. I was the biggest lurch at dances, waiting for the ladies' choice. I'd lunge at my prey like a baby wolf.
There's nothing wrong with doing comedies, and I'm not against comedies, either, but I always want to do stuff that keeps me off my guard and gets me out of my comfort zone.
One of my groupies gave me a film that they made, and it ended up being amazing, so I got it shown at South by Southwest. If I can help get their stuff out there, then great.
Even when it comes to writing fiction, how do you encompass all this stuff that's right on the tip of your tongue? You have to fold that into what you're working on.
I co-taught a seminar called Small Group Processes with my professor. I learned so much from it, so much about myself, about groups, how this stuff works. I bring all that stuff to teaching now.
[Swiss Armi Man] was a super joyful film to go make. I mean, there was stuff that was, like, totally bananas. But it was kind of par for the course every day with that stuff.
I'm glad I took the leap away from acting into going behind the camera because it's much more satisfying - I love acting and I still do, but it's much more satisfying to be able to make the stuff.
I've made a career making stuff that nobody sees, so anything that I can do to help make something that people are going to enjoy and want to see over and over again, then I'm there.
I think [H. P. Lovecraft] knew the whole gamut. He just didn't believe any of it! He probably liked to use the esoteric stuff because he knew it would tick people off and freak them out.
John's time and effort were, in the main, spent on pretty honorable stuff. As for the other side, well, nobody's perfect, nobody's Jesus. And look what they did to him.
Well, the nice thing about animation, you don't even really have to account for yourself. All of the physical stuff that you work on as an actor, you just throw away.
I never thought of myself as a comedic actor. I didn't go to Second City, that's not my background, I'm not a comic, I studied theater and my career when I started was a lot of dramatic stuff.
To get the stuff out of you, especially if what you're dealing with is yourself, requires you to open up and touch tender spots. You have to be anesthetized a little bit.