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Films are artifice. We're telling stories on film. At the same time, when it works, there is a real tough immediacy and spontaneity to it, and a punch.
You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel.
Conservative talk radio works because there are lots of conservatives who are convinced that they are not getting the whole story from the regular media.
It can certainly happen that characters in more sophisticated stories can "take over" as they develop and change the author's original ideas. Well, it certainly happens to me at times.
The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
Sometimes a book is better than it ever had a right to be because of the history the reader brings to the reading and because of the methods educators use to bring a particular story alive.
It is a good idea to know which publishers publish which stories. For example, there is no sense in sending a picture book text to a publisher who does not publish picture books.
There are things the story must have or else look incomplete. And these will almost automatically present themselves. When they don't, you are in trouble and then the novel stops.
We have heard stories about white men who make the powerful guns and the strong drinks and took slaves away across the seas, but no one thought the stories were true.
It is the story that owns and directs us. It is the thing that makes us different from cattle; it is the mark on the face that sets one people apart from their neighbors.
It's just so much fun to make up characters, situations, and everything else about a story. I have so much freedom and flexibility to do whatever I want.
I kind of like that romantic image of being in a rocker with my family gathered around, all these generations in one room, listening intently to my stories.
When you are in your teenage years you are consciously experiencing everything for the first time, so adolescent stories are all beginnings. There are never any endings.
When you're a story teller, you work out everything. You work out who these people are, what's going to be happening. The environment in which they live.
I have dictated stories from an airport after writing the story out in longhand on the plane that I got from phone interviews and then was applauded by editors for 'working magic.
Stories are the only thing that I can be bothered with. Its the only way that I can do anything, even if Im quite useless. Its the only area in being human where I could be a little useful.