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The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
Once I've discovered the story, I might restructure it, maybe move things around, set up a clue that something is going to happen later, but that happens much later in an editorial capacity.
It can certainly happen that characters in more sophisticated stories can "take over" as they develop and change the author's original ideas. Well, it certainly happens to me at times.
I guess you can stay sort of true to the story; you don't have to artificially bring the character back from whatever doom you've designed for them, you can tell the story, I suppose, honestly.
I think that there isn't a photograph in the world that has any narrative ability... They do not tell stories - they show you what something looks like. To a camera.
Conservative talk radio works because there are lots of conservatives who are convinced that they are not getting the whole story from the regular media.
My story is important not because it is mine, God knows, but because if I tell it anything like right, the chances are you will recognize that in many ways it is also yours.
I used to go over to my friend's house and we'd watch VCR tapes, three of them a day, and I was like, "I could come up with better stories than this." And I've wanted to write films ever since.
If I had quietly retired as governor in 2007 and went into banking or something of that nature, I would have been, at most, a footnote in the story and probably never mentioned.
As a filmmaker, you have to understand the essence of the book and tell the story you want to see on the screen, and hopefully please yourself - because you cant possibly please everyone.
One of my favorite things to do is to craft and to write songs and tell stories, and another thing is to really just flip out basically, and release kind of my unruly energies.
You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel.
I HATED the Salinger story. It took me days to go through it, gingerly, a page at a time, and blushing with embarrassment for him every ridiculous sentence of the way. How can they let him do it?
As the decades go by, a painter's life becomes a life lived with oil paint, a story told in the thicknesses of oil. Any history of painting that does not take that obsession seriously is incomplete.
I don't have a story about an epiphany in which I suddenly realised I wanted to be an actor. It was much more a case of the idea dawning on me gradually.
Art often reflects what's going on in the world, and we're seeing stories that are very diverse and that are lead and made by women because that's what's in our world.