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Every story of conversion is the story of a blessed defeat.
When I was growing up, my mom told me every story that was happening to her. Most of the stories that come to me are through a female voice in my head. My stories seem to naturally be about females.
I have my own story, and I love my story, but I know I can't tell it alone, not now. Because stories have centers, but they don't have edges. No boundaries.
We aren't natural statisticians. What we are is natural storytelling machines. And so what we do after we have the facts in hand is build a story to explain the facts.
I've written original material before, where I've come up with the idea and the characters myself, and that's definitely very different to working with someone else's characters and stories.
The semi-colon is a burp, a hiccup. It's a drunk staggering out of the saloon at 2 a.m., grabbing your lapels on the way and asking you to listen to one more story.
If the story's there for it, if there's a reason for it, then I'm all for it. But if you throw in a barbed wire match just to do a barbed wire match, then it makes no sense to me.
Story of O is a fairy tale for another world, a world where some part of me lived for a long time, a world that no longer exists except between the covers of a book.
I love talking to people and hearing their stories. Everyone's got their own story to tell, and when you sit down with someone and really talk to them, you can learn so much.
There are many ways of breaking a heart. Stories were full of hearts broken by love, but what really broke a heart was taking away its dream -- whatever that dream might be.
When a bunch of stuff is happening on set, you have to remember the grander purpose: you're telling a story, so you have to get to that moment, and that takes supreme focus.
I didn't have any set idea of what kind of filmmaker I wanted to be. I knew I wanted to tell stories that meant something to me, but I never said I was going to be the weird, avant-garde guy.
VeggieTales is something that, on paper, makes no sense at all. It is a series of children's videos where limbless, talking vegetables act out Bible stories. Try raising money with that pitch.
I have wandered many roads that I have never traveled; touched many things that my eyes have never seen. It is through stories that life is made, and through stories that life is saved.
I'd like to be taken in charge of as an actor, not to be abandoned with asinine dialogue and meaningless actions or stereotyped characters. I'd like to feel like I'm in a character driven story.