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The fountain of youth is like the monkeys paw in the W. W. Jacobs story. It never ends well.
I remember the horror story that I told myself over and over again. I'm totally alone in my body. I'm totally alone in my head and nobody will ever see through my eyes. I'm just completely alone.
I tend to only be able to obsess about one thing at once, and become fully engaged in and only interested in that thing. But in the longer term, a lot of my stories also give birth to other stories.
I always wanted to create a project that would allow me to think about cross cultural relationships and hybridization but did not want to use my personal story or standard tropes of multiculturalism.
I'm terrified to ride a bike in a city - and I grew up riding bikes in the city. I've just heard enough stories - I have enough friends who've been hit by taxicabs and things.
I think shows that have more of a narrative and are about what's going to happen next, those need to wrap up as a complete story. But it's weird when a goofy comedy show needs to end.
It's weird. People want you to know that they write. They want you to know they're a musician, rather than making music or making stories. It's the strangest thing.
The problem the cable channels have is they have to fill 24 hours. That's a terrible thing. We only do that on the biggest stories. The thing is there has happened to be a lot o
I can't say L'Etranger influenced me to write, but for the first time I considered the possibility of telling a story that resembled my own experiences in my own voice.
I get stage fright with short stories. For me it feels like standup comedy: kill or die. I'm more confident when I begin a novel because I know I have space to fail.
Newspaper reporting is really storytelling. We call our articles 'stories,' and we try to tell them in a way that even people who don't know all the background can understand them.
I have always loved horror very much. I used to write stories for DC's House of Mystery. It was one of my first jobs writing for comics, and I loved it.
The reason I love comics more than anything else is that the longest story will be just a few pages. With a novel, it takes so many pages to get to one thing happening.
I've tried to consider stories that I have read, making them into films, but they would turn out unnatural. If a producer wants that, he should call other people. Not me.
Whatever kind of story you're telling, whether it's a genre piece for a comic book or whatever it is, it has importance because it's all a metaphor for the existence of our being.
I just think, as a species, what we [people] enjoy most is creation and creativity, and telling stories is an extension of expressing all the thoughts and ideas that we have inside of ourselves.
I think art is the ability to change people with your work, to see things as they are and then create stories, images, and interactions that change the marketplace.
I believe young female directors in particular should always remind themselves of the truths of their own stories and not let outsiders influence the authenticity of their films.
I think I'll always want to write and direct. I'm interested in producing and helping other people tell stories. But I'm still in love with writing and directing.
I hate even the idea of a synopsis. When stories are really working, when you're providing subtextual exploration and things that are deeply layered, you're obligated to not say things out loud.