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Patrick Rothfuss gives us a fabulous debut, standing firmly on the main stage of the fantasy genre and needing no warm-up act. Jordan and Goodkind must be looking nervously over their shoulders!
There's something really incredible about watching what someone else does with a role that we know: the Hamlets or the Henry Vs or the Othellos or the Cleopatras that we've seen on stage.
When you know you have 1,000 people sitting on the edge of their seats in silence because of a shift that just happened on stage, there is no better feeling.
Anytime you walk onto a stage or something where there's lots of people staring at you, you need to have something inspiring inside your head. Bolstering.
I'd much rather be on stage talking to a couple of retards for twenty bucks than sitting at my desk thinking up jokes for...well let's say a few dollars more.
I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.
Musicians ought to reclaim some of the power in the houses of production. The opera houses are run either by managers or by stage directors, never by musicians.
I had never thought of myself as a dramatist, and, for really good technical results, the thought came too late: a man of letters has become too wordy to write economically for the stage.
It is not a simple life to be a single cell, although I have no right to say so, having been a single cell so long ago myself that I have no memory at all of that stage of my life.
I'll play for a couple of hours and then before you know it, it's time to go on stage. It takes away any nervousness and anxiety I might have about the big crowd out there.
I wanted to be a stage actress. I wanted to be a New York actress and have a community with other actors. I didn't want to get famous; I always thought getting famous was a drag on you.
The hardest part for me during the creation stage is actually putting words on paper that make sense and tell my story the way I see it. I sometimes feel I am slogging through quicksand when I write.
It wasn't so much that I was all alone on stage, but it was the realization of how much you need the response-you need the audience to tell you where to go
It took me so long to get to the music, where that was what I wanted to do all my life. It took me so long to realise that it wasn't really movies that I wanted to do, but to be on stage singing.
I don't feel those limits when I'm on stage. For some reason, audiences let me get away with things. Remember, it's all comedy. Words. Thoughts. All thoughts are safe and worth exploring.
I am basically the sort of person who has stage-fright teaching. I kind of creep into a classroom. I'm not an anecdote-teller, either, although I often wish I were.