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I admit that living in Nigeria sounds romantic, but Africa isn't America by a long shot. It's a different world and a different place in time...
All quiet along the Potomac tonight, no sound save the rush of the river, while soft falls the dew on the face of the dead, the picket's off duty forever.
People love the electric rake. You just hit it or whatever you want to do. You can't play 'Swanee River' on it. You have to just make terrible noise. Occasionally, it will make a sound like a note.
For my part, if I consider poetry as an object, I maintain that it is born of the necessity of adding a vocal sound (speech) to the hammering of the first tribal music.
All these emotions are coming from one thing - sound. It's not coming from your experiences in life, your childhood. It's related to those things, but it's being triggered by the sound.
When the picture was finished, they took me into the sound room and then I screamed more for about five minutes just steady screaming, and then they'd cut that in and add it.
For me it sounds weird saying that the filmmakers respect the film. I don't imagine that there's other ways to make a film, but unfortunately there is.
I really love watching the 70s live performance TV series "The Midnight Special" and "The Old Grey Whistle Test". Those are the best performances you've ever seen, and they sound incredible.
The word 'living' has so many connotations that I'm almost reluctant to try to define it scientifically because it sounds as if I'm then downgrading all the other significances of that word.
I hate to sound esoteric, but there is something about a house that leads you to that one chair, that one corner, where you just sit and feel comfortable.
I string sounds together. But to string them I have to remember a bunch of old ones I heard somewhere and then juggle them into a new rhythm and shape.
Distaste sounds more emphatic when expressed as moral disapproval. With most of us the moral counterblast is nothing more than the angry rendering of a yawn.
Apparently they're going to bring in 'Super Asbos'. But 'Asbos' already sound too cool. Teenagers see them as a badge of honour. They should call them 'Gaybos' or 'Bender Badges'.
Why do comparisons of words and tone poems (poetry and music) never take into consideration that the word is a mere signifier, but that the sound, aside from being a signifier, is also an object?
The pathway to enlightenment is joyful. It may sound harsh. I suggest just the opposite. It is rather easy compared to the possibilities of staying in pain and illusion.
It's very important for the coming times to have a sound economic base and to be as mobile as possible. The energy lines will be shifting strongly as we enter into the end phase of the earth's cycle.
A part of us resists all of this and wants to make it sound as if it's much too religious, an arbitrary thing that we have to do with our life. This is nonsense. This is the real fun.
Man, however, is the most courageous animal: thereby has he overcome every animal. With sound of triumph has he overcome every pain; human pain, however, is the sorest pain.
The beating of drums, which delights young writers who serve a party, sounds to him who does not belong to the party line like a rattling of chains, and excites sympathy rather than admiration.
I wonder if "an" ever occurs before "haughty" except in a quotation, or whether you can make anything sound like a quotation by adding a word like "goeth"?