Sound Quotes
When I'm manic, I'm so awake and alert, that my eyelashes fluttering on the pillow sound like thunder.
I'm really interested in bands that sound nothing like anything I do or can do. That's what interests me.
I'd rather do new stuff. The old stuff is better to talk about than to see. It always sounds better than it really is.
A good actor knows exactly what the camera wants, what the sound wants, where to find the light and how to tell a good through line and journey.
That just sounds so funny, A-list. Really, I'm a mom, and that's how I'm going to be all my life.
With technology today you can sing like a frog and sound good. And then when you come on stage, what do you do. Some of those artists never toured, probably just hype.
Nobility and self-sacrifice sound wonderful in theory, but now he’s seen how it feels. A dead hero is still dead at the end of the day, and you’re still alone.
Blacks have a special history, since they were enslaved and were here as early as the first Americans. I hate to sound like a liberal but these are facts. That makes blacks a special group.
I have very strict rules in my head that seem to me to be the way things should sound.
We are doing everything we can to protect the food supply. And I can tell you that we're making decisions based upon sound science and good public policy, given the circumstances that we are now in.
Its gonna sound weird, but Glenn Johnson is one of my favorite fighters, because he was one of those throwback fighters that could lose a fight, and then come back and win.
Some people study a text very deeply. The people are my text. I study their words and what their words sound like, over and over again.
Have Faith! Have faith in the Eternal Goodness. Believe that the core of the Universe is sound and sweet.
Other friends have said, "I don't understand why you've used this trumpet-style sound rather than a real one when you know you can write for trumpet." But it's most important to get the energy right.
the breeze brought us a faint sound, as of a distant rat, a huge and mystic rat, gnawing, maybe, at the horizon!
It's really the sound of the voices, the sound of the words, the sound of the sound that we're interested in.
Usually one or two things happen: Either you have an idea straightaway - the sort of sound that you want or the instrumentation or one particular sound that you want to feature - or you don't.
I'm starting to think my narrators' sentences are getting too big for them, and they are getting to sound a bit samey and, more disturbingly, a bit too much like me.
I'd like to be a working actor. It sounds really trite, but there really are no small parts, only small actors. And so as long as I'm a working actor, I can improve.
I am a poet, bard, scop, minnesinger, trobairitz who is driven by sound and the possibilities for vocal expression, the mouthing of text as well as intentionality or dance on the page.
I like the idea of the object, the relic. And I see it as a time machine too or a device you plug into a socket that activates a sound and light show.
I don't enjoy hearing the sound of my voice. The most important things for me are impossible to articulate extemporaneously.
An mp3 is a compressed form of data. It's not the full spectrum. It's never going to sound as good as a record.
The schematics are a little bit tricky, but once you get it down you're able to really program an entire show. Every song has a lot of different guitar sounds in it, so that's what it is.
I think it's important if you're going to write a cookbook, it should sound like you talking - it should be things you actually believe, otherwise I'm not interested.
It's just a goatee. That sounds kind of weird. A soul patch? I don't know how 'soul' it is.
The music usually occurs to me as a complete sound, and then I have developed the skill of being able to translate that into a fully realized song.
If somebody ever says something is a mature theme, it's bound to not be. I mean, you shouldn't fall for that. You can make it sound mature, but anything that's about being mature is pretty immature.
I'm thinking of Mary Poppins, The Sound of Music... there are too many to name really. And all the old classic ones like Snow White & The Seven Dwarfs and Bambi. That's brutal!
Other people sound flat to my ear; their words just hang in the air. But when my mother says something, the ends curl.
What hypocrites we seem to be whenever we talk of ourselves! Our words sound so humble, while our hearts are so proud.
It sounds a little extreme, but in this day and age, if your work isn't online, it doesn't exist.
It sounds kind of flighty, filmmaker-y, but I believe films are a piece of art. They are meant to be what they're meant to be, and sometimes the artist is informed by the film of what it needs to be.
They talked about nothing in particular, sentences that had meaning only in the sound of the voices, in warm gaiety, in the ease of complete relaxation.
I'm sure that a lot of my friends - even though they're curious about the music of nations that are not on their radar - still don't know what Kuwaiti music sounds like.
If you make things sound inoffensively obvious, then it is likely that no one will listen.
When I'm in the mode of feeling positive about love, I don't really feel the need to mark it down in song. In fact, I know what that song would sound like, and I would not subject anybody to that.