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Radio stations have constructed a narrow door[way], and that's because they don't understand how complex and paradoxical our snap judgments are. It's hard to measure new songs.
I'd always wanted to write a song about a leather jacket and how wearing it makes you feel. I love leather jackets, and I've got a big collection of them.
I thought, I might not look my best, I've forgotten half the words to my songs and I'm suffering from post-traumatic stress, but I've just got to get out there and do it.
I can imagine moving out to the seaside at some point. I like Brighton, my sister lives there. I'm a seaside boy and whenever I go there, I find myself writing songs about it.
Your goal is to write that masterpiece. Yello's masterpiece was "Oh Yeah." Whatever I say about the song doesn't matter, because it has a huge impact on how we remember the era.
I don't like to criticize music and I had a really hard time picking out the song I hate for this because I end up seeing and working with musicians all the time.
I realized that I started writing songs to make people feel how I felt, rather than just making them feel something. That's not the way I should do things.
When I'm creating characters, I definitely think of theme songs. Writing for me is very visual, so I sometimes think of it in terms of a movie with a soundtrack, and try to transfer that to words.
I grew up the biggest fan of the Cure. Knew every lyric, had every album, B-side, single, poster, everything. Then cut to fifteen years later, and we're working on songs together. Ridiculous.
I used to go to the school folk club with my songs when I was only 13 or so and say "this is a traditional folk song" and sing it with a bad Irish accent to disguise the real source.
I really love something about being around the recording studios - you know, like, those days in the '80s they'd be, like, in the studio 'til 4, 5, 6 in the morning working on these songs.
I wasn't ready to write my own songs when I was in my early 20s. I'm still growing but I definitely grew because of my experiences on the road and in the studio.
The songs, if I write alone in a room, end up being a little more quiet, a little more subdued. If I play with other musicians or percussive instruments, it might end up being a little more upbeat.
I tried to find a way out in many ways, but it all caught up with me. Once I realised I could sing and write songs, it was just so much easier to do than anything else!
As part of Depeche Mode, I don't think it's right for me to be using my own songs for a solo project. I'm not a very prolific songwriter, so I keep those for Depeche Mode.