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Next to theology I give to music the highest place and honor. And we see how David and all the saints have wrought their godly thoughts into verse, rhyme, and song.
Grunge, man, that was incredible. It was dangerous. It was not verse/chorus. Songs could be short, long, a lark, majestic. You were constantly being surprised.
I'm just the instrument for the song to do whatever it's supposed to do-heal, inspire or encourage. It's not all about me, it's about the song. I'm just the lucky girl who gets to sing these songs.
I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense.
In the studio you can really concentrate on performing the song where as on stage you also have to worry about connecting with so many people, they're definitely different.
I like having a song in my head that's never been heard and then going into a studio and recording it and hearing it exist in the world. It's a magical part. Filled with wonder.
I needed a song and I need a place to kind of get it out. John Paul [White] was there for me as a friend, and I really appreciated that because I just needed a place to go.
It was always summer and the future called We were ready for adventure and we wanted them all And there was so much left to dream And so much time to make it real
You have stopped the arrow of time... There's no meaning to this rhyme... Because my song will never mean as much as the one.. He once sang.. For you, yes, you.
Anywhere in the world, in every oppressive country, time sooner or later comes and libertarian people sing the same song: Goodbye Mr Dictator! This is a universal law, this is a universal song.
I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.
Torch songs are confessions. They are an expression of feeling that cannot be concealed or contained or minimized. They are marked by anguish, yes, but also by yielding.
A Grammy is a wonderful thing; all of a sudden you're given a new audience but, like anything, you have to be able to grow with these songs if you really want a long artistic career.
The people who keep coping, keep trying, no matter how many blows Fate takes at them. Nobody'll make a song about them, but they're heroes all the same.