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The song is languid and speaks of love and loneliness and loss. Why does love seem to go with the sad things?
I rather hate the whole digital world concerning music - nothing to touch, too many songs and no thread, no artwork etc., and no label to talk with and have support from.
Oh, Daisy, it's revolting the way I want to fawn all over him. I'm afraid I'm going to do something dreadfully silly today. Burst into song or something. For God's sake, don't let me.
I wanted to be an actor. That was my real goal. But I wasn't any good at it, so I wrote my own material and acted through that. That's my idea of fun. I get to be all these things in the songs.
When I was in college, I had a jazz radio show. I called it 'Excursion on a Wobbly Rail,' after a Cecil Taylor song. I used to run around the Village following Ornette Coleman wherever he played.
For a while, I felt a little self-impelled to write Lou Reed Kind of songs. I should have understood that a Lou Reed song was anything I wanted to write about.
When you have a song on the radio your career and your life changes maybe for the better and maybe for the not so good depending on how it's going that day.
Of course, Im older now. Im in a different place in my life than when I wrote the songs for Car Wheels or Essence or whatever. Different things were going on.
Above all, the listener should be able to understand the poem or the song, not be forced to unravel a complicated, self-indulgent puzzle. Offer your art up to the whole world, not just an elite few.
Sometimes I dream song ideas. I write a song in my dream, the melody and everything. But then sometimes I can't remember them. I think later on, I probably do.
Beyond hoping that someone will like one of my songs, I don't think about how a song will be received. I just hope that, when somebody hears one of my songs, they'll want to hear it again.
When someone tells me what he or she was doing the first time they heard a song of mine, then I've done a good job. If my song becomes about your life, then I'm successful.
It's no fun for me to cover a song and produce it the exact same way as it already exists. When I hear that happening, I have to say, 'What's the point?
From a very early age, I started to get really interested in how songs were put to tape. Not just listening to the songs, but the way the songs were recorded.
I'm very conscious of developing my singing, technically and stylistically. I want it to become more individual, express more of me. That's my goal. These songs are steps along that way.