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It's a unique thing to stand in front of a crowd and sing your songs.
She sings the songs without words Songs that sailors, and blind men, and beggars have heard She knows more of love than the poets can say And her eyes are for something that won't go away.
By the time I got to record my first album, I was 26, I didn't need pen or paper - my memory had been trained just to listen to a song, think of the words, and lay them to tape.
When George [Harrison] died the guards at Buckingham Palace played a medley of George's songs during the changing of the guard; that sort of thing never happens.
I don't make the mistake of thinking it's a major musical event. I love the Eurovision Song Contest and it will continue long after I'm gone. Just please don't ask me to take it seriously.
I enjoyed hearing people do their own songs. I became attracted to singer-songwriters. I became interested in them as people; was curious about what they wanted to say.
It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. I like when it's really organic, so I try to knock it out in one shot.
Basically, I wake up at nine o'clock in the morning, go to different record stores, go to the studio, think up different ideas for songs. Just workin'.
If you're in a bar and a certain song comes on and the vibe is just different, it evokes the kinds of things that you want to feel, and if music can do that it's a very special thing.
If you're not inspired and you're working hard to pull inspiration from somewhere and make a song something it's not, then it's very contrived and I don't like to write music that's contrived.
People who listen to them properly don't underestimate them. Unfortunately, there's so much about my career and me that distracts people from the actual content of most of my songs.
For that which is boundless in you abides in the mansion of the sky, whose door is the morning mist, and whose windows are the songs and the silences of night.
Love so needs to love that it will endure almost anything, even abuse, just to flicker for a moment. But the sky's mouth is kind, its song will never hurt you, for I sing those words.
That is the difference between a good song and a bad song lyrically - if you can listen to it and put yourself in that place, or see that person in that place, normally it is a pretty good song.
As I've gone along, I felt like I was discovering an aspect of my voice that I didn't know was there: an ability to interpret a song in a way that makes it more accessible.
I have a few songs that I'm figuring out and writing. I'm still figuring out the whole concept and how it's gonna connect to Cry Baby, but I have some ideas, yes.