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I just imagine that every song in and of itself is great, but when you add them all up, it's too much of me maybe.
But we're still rehearsing and planning to make a new album next year. We have some really good new songs that we've already been playing on that last tour that we just finished.
With some songs, I have written narratives or I've tried to carry it through, but generally the things that were more genius, as far as I was concerned, were not that.
You know, the songs that are self-conscious or jerky, they are that way, but the other ones aren't, so that's a good thing. Some of the songs are Beck-jokey, but the others, they have heart in them.
On stage, generally speaking, the story is stopped or held back by songs, because that's the convention. Audiences enjoy the song and the singer, that's the point.
I like songs that are part of a dramatic texture, and therefore I like the scenes to be active. I wanna follow the story and that means you lean on the actors.
If you start out with a song sounding like Britney Spears, and you end up with a song sounding like Pauline Oliveros, you'd better have pretty good liner notes explaining what on earth you mean.
Okay, a truly great song is a song that makes its own aesthetic intentions clear and then lives up to them and exceeds them in an interesting way. Alright?
I wasn't raised to not write about issues, and I'm just living in really politically charged times. You know, I'd rather write songs about girls, but it's just hard to do right now.
But I'm able to just keep going, and that's the challenge. It's the next song. And then just enjoying the shows and people who come out to the shows. It's pretty organic, really.
The songs are always drawn from personal experience; I'm putting myself into my music. I usually am playing myself. It's art, art that represents my life.
I think that a song, when it works, never mind a piece of long form music, even a song is something that speaks to itself but has a language all of its own, ideally.
I don't think comic timing is the same as music timing, but I definitely find that I've learned from just writing in general that songs can be narrative without having a story.
I'm pretty open to all music. Its pretty funny because I've spent time in Germany and now I'm in Dallas where Country is a big thing. I used to hate it but now I can actually go through a song.
In life you can get a feeling which is part of a person, the same as in the songs. Music is almost our representation of our fantasies and so our songs are representations of our fantasies.
I really wanted a guitar. As A little boy I used to tell people I was going to be a musician. They would humor me, and I'd make up thirty minute songs and drive them nuts.
I am in a business that's built on record sales and reputation and how your single is doing and where your song is on iTunes. But the kind of music that I do comes from my beliefs.
I sometimes think 'Gordon' must be the most bootlegged album in U.S history, since it sold only 200,000 copies in the country, yet 800,000 kids know the words to every song.
Through song you learn, and I think school systems need to learn that. Through the rhythm you can learn better, through melody, with something you need to learn, it's a vehicle for it.
I wrote a song, but I can't read music so I don't know what it is. Every once in a while I'll be listening to the radio and I say, "I think I might have written that."
I learn stuff from making music every time I go in the studio. I'm continuing to try to find new ways to play in a song or be in a song and have a positive impact on a song.
I very rarely sit down with a guitar and try to write a song. I usually think about it a lot and then I'll try to re-create what was in my head at the time.