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I write 1,000 words a day first thing in the morning but I cannot write 240 characters to describe a piece that I spent six weeks working on with a producer.
I try to only work on the screenplays for a few hours a day when I'm in my most voluble mood, just sort of writing whatever comes into my head. It's a very freeing thing.
I've often heard academics disparage non-academic writing in terms that suggest it could be a negative in the tenure process, irrespective of the quality of academic work under review.
I think people get satisfaction from living for a cause that's greater than themselves. They want to leave an imprint. By writing books, I'm trying to do that in a modest way.
As a kid I wanted to write science fiction, and I was never without a book. Later I really got into being a scientist and never thought I'd be writing novels.
I like writing for movies. It's nice to be alone working on fiction in your room, and then it's nice to be in a room with a bunch of people working on a movie.
I first told the idea to an editor I had met who, after reading one of my novels for adults that was set in a high school, had an idea that I might write something for children.
I had this idea about terrible things happening to orphans, and I knew it was such a horrible idea that the idea of writing it down and then submitting it professionally was obviously absurd.
I'm not sure running the press has changed how I write (though perhaps it has in ways I can't see), but it has certainly changed my relationship to how books get made.
Writing is a solitary endeavor, but not a lonely one. When you write, your world is populated by the characters you invent and you feel those people filling your lives.
When you can bring yourself to write about it one day, you will find it all less painful. It is a catharsis of sorts, but the process can be brutal. Don’t do it until you’re ready.
I find that when people get a script, they know within five pages if the writer can write. Once you're five pages in, it doesn't matter whose name is on the cover, you're not even thinking about it.
The people around you are you. They share your history. They can even write it with you. And when you lose one, there's no doubt you lose some of yourself, however they're lost.
I'm felt I was writing about love and desire and community and belonging and grief and a whole host of other issues. But race is never far from the surface.
I definitely feel like when I write a book it's not my job to police or guide the readers. The book and the characters don't belong to me anymore. If that makes sense.