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What I most fear now is that within a century or so there may not be any human future at all.
Unfortunately, the attitude of many towards the press, humanitarians included and especially government workers, is often one of suspicion, if not outright fear.
You can't let doubt or fear or guilt eat away at you. You are good and you need to remember that above all else. Love is stronger than hatred, and you are made of love.
There's something nice and valuable and wonderful about the suspense and the classic horror that doesn't just crutch on blood and the almost pornographic view of fear.
I keep a conscience uncorrupted by religion, a judgment undimmed by politics and patriotism, a heart untainted by friendships and sentiments unsoured by animosities.
When you're in front of an audience, you know if it didn't work. I get very nervous and have a fear of failure that is much more profound than in the podcast world.
Like most, I was a mix of good and bad, anger and protectiveness, kindness and pride. But right now, I had only strangled fear and the promise of revenge.
Somehow we can't live outside the politics of race. There's something very deep in all of us, that is taught to us when we are very, very little. Which is the disrespect and fear of the other.
There was this real fear in doing Square Pegs after getting such a fast ride to glory on Saturday Night Live. I was afraid that the word would be peaks early, fails to live up to promise.
I always think I'm terrible. So it's always a relief when I find out that I wasn't. I've had roles where I realized that I was in way over my head - and that is my biggest fear.
I woke up full of hate and fear the day before the most recent peace march in San Francisco. This was disappointing: I'd hoped to wake up feeling somewhere between Virginia Woolf and Wavy Gravy.
Something in me was responding now as the audience responded, not in fear, but in some human way, to the magic of that fragile painted set, the mystery of the lighted world there.