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I've often stood silent at a party for hours listening to my movie idols turn into dull and little people.
You don't have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can't help but make a good movie.
I've been around the movie business, so I can play it cool and all that, but when people are different they have that off thing about them. Their whole presence is just a little innocent, I think.
I need a lot of alone time as a human. And especially on a movie set when you're around people all day long. So it's actually kind of nice to go home to a hotel and be alone and unwind.
My girlfriend is much better than I am at working hard then resting, and she demands that from me, too. She insists on having time when we don't do anything. We leave the housework and watch a movie.
The movie, by sheer speeding up of the mechanical, carried us from the world of sequence and connections into the world of creative configurations and structure.
When a picture can't make it on its own, the producers pull in a 'controversial' message - the way a couple whose marriage is falling apart decide to have a baby.
I was always a filmmaker before I was anything else. If I was always anything, I was a storyteller, and it never really made much of a difference to me what medium I worked in.
It's the first villain that I've played in a movie that has absolutely no vulnerability and no innocence, nothing whatsoever that is likeable about her other than she's so bad.
So they ended up turning this little twenty eight page book into the movie. And it's all about this stinky, smelly ogre who doesn't care what anybody thinks of him.
The trick of making movies in this culture is how to not give up everything that makes them worthwhile in order to get them made - and that's a tricky balance.
When inspiration does not come, I go for a walk, go to the movie, talk to a friend, let go... The muse is bound to return again, especially if I turn my back!
If a star or studio chief or any other great movie personages find themselves sitting among a lot of nobodies, they get frightened - as if somebody was trying to demote them.
If you just read the book, you're taking in the narrative, you're taking in the characters, you're understanding it in a certain way. If you make a movie it's really an act of translation.
I wanted to do Buddy Faro as a small budget movie. They said no. So I wanted to do it as a series of recurring TV movies, and they said no. So I agreed to do it as a series.
I've always wanted to play Maria in West Side Story. My idol is Natalie Wood, and I love the movie, so I think a modern-day twist on it would be really neat.
A lot of actors get concerned about their own image, even going so far as to rewrite a movie to best serve that image. All I want to do is be in good movies.