Movie Quotes
We're all complex human beings, and if some of that complexity shows through, I think it's advantageous for the movie.
TRUST took as its starting point the question, What would happen if a movie took the character of a teen-age girl seriously?.
I just want to make one really good movie a year. And when I die, to know I was honest as an artist.
I think in this movie, every time I see his work, I'm blown away by it because he, to me, he really embodied the character so powerfully and so real, so truthfully to me.
Since films and television have staged everything imaginable before it happens, a true event, taking place in the real world, brings to mind the landscape of films.
If you think about my filmography, I have never done a movie that a kid could go see, except for Iron Giant, and I'm not even on the screen.
In a movie, you're raw material, just a hue of some color and the director makes the painting.
A movie doesn't have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that's good enough.
And that movie was underrated - Nuts - because it deals with a terrible subject, but It's very well done.
There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers.
I just don't analyze what I do, because I'm afraid I won't be able to do it anymore. I'm sort of superstitious. And that's why I've never looked back at any movie I've done.
Kids in general make things fresh and alive and they have this great appreciation for, Holy mackerel, we're making a movie!
That's one of the great things about DVD: In addition to reaching people who didn't catch the movie in theaters, you get to have this interaction of sorts.
The movie industry is committed to working with the technology sector to find innovative new ways to deliver entertainment to consumers.
I hate smoking sections. Unless we're talking about the movie 'The Mask' with Jim Carrey. Then the smoking section is my favorite part.
You've got to believe as a filmmaker that if a movie's good enough, it's going to survive; and if it's not, well, it won't.
I don't think movies can ever be too intense, but people have to understand why you're showing them the things you are showing them.
It's always great to do a movie that you find is entertaining, but also can give some sort of political or social message.
I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
It's so much easier to go to the Sony movie complex when you're disabled. You take a great elevator. You get your own little private viewing area. I love it.
The heart of Dragon's Lair has always been its compelling story. With Dragon's Lair 3D, we think the team has really created an interactive animated movie.
But time has caught up with it and I think vindicated it. Shampoo, too: very dark, very ambitious movie.
Usually the audience has no idea that the censored version of whatever movie they're watching isn't the original.
We felt like we had done as much as you can do with the slasher genre. We were trying to find the next group of scary movies that were ripe for parody.
To grasp and hold a vision, that is the very essence of successful leadership-not only on the movie set where I learned it, but everywhere.
You never really know until you put the movie in front of an audience. I am a big advocate of screenings, which are getting harder and harder to do nowadays.
I met Jonah Lomu. I never knew how huge he was. I felt like a peasant in a Godzilla movie. 'Quickly! Tell the other villagers! We go now!'
My belief is that no movie, nothing in life, leaves people neutral. You either leave them up or you leave them down.
I deal with guys in their 20s and early 30s who are presidents of companies, who are movie directors.
People need to understand that hip-hop that has gun talk is just for entertainment; similar to if you were watching a movie.
There are two phases to a movie. First you shoot the movie, and then you make the movie. Generally, post-production is longer than filming.
I think the form, the Hollywood movie, I think the quality is obviously always going to be there and I think that the question of taste, there's always a question of taste.
I was born in Poland I came to Sweden when I was eight and always wanted to act and suddenly ended up in a Bond movie which was for me at that time absolutely enormous.
I think the job of movie reviewing can be really tough. If a film has layers that need to be thought about, it's easy to get missed the first time around.
That's why I sleep alone. My hair is curly, and that's why I have my ponytail. I look like a madman, like something out of a horror movie.
It's a good question, because a movie isn't good or bad based on its politics. It's usually good or bad for other reasons, though you might agree or disagree with its politics.
It's strange: We leave the movie having enjoyed its conclusion so much that we almost forgot our earlier reservations. But they were there, and they were real.
Not just a timely movie, a great one...Timbuktu feels at once timely and permanent, immediate and essential.
I regard myself as being the final filter so everything that ends up in the movie is there because it's something that I think was cool.
I can't decide if this movie is so spectacularly, breathtakingly dumb as to induce stupidity in anyone who watches, or so brutally brilliant that it disarms all reason. What's the difference?