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I think the moment you try to make a movie for kids, you make garbage.
I think that 'Elysium' the movie is unrealistic, with the space station and everything. I think 'Elysium' the metaphor is completely realistic: it's exactly where we're going.
I've always wanted to do a horror movie, and I grew up watching a lot of horror. I now, recently in life, don't have the stomach for it because I spend so much time in it.
I've had some pretty stimulating conversations about where we are politically as a result of this movie [Snowden], but then there are a lot of questions just about that sensationalism of it.
I'm the worst rider. I'm a terrible rider. Me and horses are not a good mix. For some reason, people are always trying to get me on a horse in a movie.
Not only do I have to live, right, I have to get some cash for my troubles - it's a scary thing, and people need to start to think about the messages that they send in the movies.
People say it's a movie about boxing, but... I don't agree at all. I don't think it's a movie about boxing. Boxing is like a platform. It's just a stage where this is played out.
The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.
That's one of the great things about DVD: In addition to reaching people who didn't catch the movie in theaters, you get to have this interaction of sorts.
I just don't analyze what I do, because I'm afraid I won't be able to do it anymore. I'm sort of superstitious. And that's why I've never looked back at any movie I've done.
In London there was an article about all these girls bending it like Beckham, and in India there's this big wave of girls playing football. Wow! I can't believe a movie's done this!
There is no filmmaking legislation because distributors are not interested in sharing their money with the film industry - for instance, by giving a percentage of ticket sales back to filmmakers.
Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.
To have an opportunity to make a movie like Cabin Fever, you have to get stuff thrown on you or you have to fall into a pit of water. It brings you that much closer to your mindset as a character.
I have always felt like romantic comedies are incredibly predictable. You look at the poster and you know those two are ending up together at the end of the movie.
I felt like the blonde in every horror movie who hears a noise in the basement and goes to investigate alone. Sometimes you smell the stupid all around you, but you step in it anyway.
Best fight ever in a movie: 'They Live.' I want to do a martial arts version of that, where you think it's ended, and it just keeps on going. I love that fight. It was funny as well. Unexpected.
Some men don't gel when it comes to work - you have different work ethics, different opinions, different points of views, different methods of filmmaking - and we didn't gel.
Cabin Fever was murder. There was a lot of psychological stress, like not knowing if we were going to finish the movie. The day we arrived to start rehearsals, our main investors pulled out.